{"id":10779,"date":"2017-03-18T08:00:18","date_gmt":"2017-03-18T14:00:18","guid":{"rendered":"http:\/\/www.micro-film-magazine.com\/cublog\/?p=10779"},"modified":"2017-03-17T20:26:49","modified_gmt":"2017-03-18T02:26:49","slug":"dance-to-be-last-fow-fwiw","status":"publish","type":"post","link":"https:\/\/www.micro-film-magazine.com\/cublog\/?p=10779","title":{"rendered":"\u2018Dance\u2019 to be last FOW, FWIW"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"Video still, &quot;Prayer Warriors,&quot; 2014-2015 (Courtesy ZinaSaroWiwa.com)\" src=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog Art\/cu_sarowiwa_prayerwarrior.jpg\" alt=\"\" width=\"450\" height=\"312\" \/><\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\">We summarily end at one of the locations where we began a year ago to investigate area shows, exhibits, and performances that might fall within our critical tastes and thereby qualify as a \u201c<strong>Flicker of the Week<\/strong>.\u201d This preview will not pour over the current installation in question as much as <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Nary a still \u2018Image\u2019 at KAM :: C-U Blogfidental\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=9697\" target=\"_blank\">its (digital) analog from the spring of 2016<\/a><\/span>, but we encourage you to spend some time with it at the <strong>University of Illinois<\/strong>\u2019 <strong>Krannert Art Museum, 500 E. Peabody Dr., Champaign, IL<\/strong>, so you may contemplate culture, place, ancestry, and the encroachment of world influences. Videos comprise the bulk of <strong>&#8220;Did You Know We Taught Them How to Dance?&#8221;<\/strong>, a collection of recent creations by the <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Zina Saro-Wiwa :: Portfolio Site\" href=\"http:\/\/www.zinasarowiwa.com\/\" target=\"_blank\">British-Nigerian artist and teacher <strong>Zina Saro-Wiwa<\/strong><\/a><\/span>, which has taken residence in the first floor <strong>East Gallery<\/strong> of KAM since <strong>November 17<\/strong>. Raised and educated in the <strong>United Kingdom<\/strong> and <strong>United States<\/strong>, Saro-Wiwa is based in <strong>Brooklyn, NY<\/strong>, and regularly returns to her birth country to document regional history and mythology using several media forms including photography, sculpture, audio, and projection. The artist also produces documentaries and short films in the overall drive to \u201cmap emotional landscapes.\u201d Her focus here is on the residents of the <strong>Niger Delta<\/strong>, a small region in south <strong>Nigeria<\/strong>, and <strong>Ogoniland<\/strong>, a home within that region to <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Ogoni people :: Wikipedia\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ogoni_people\" target=\"_blank\">an indigenous people numbering less than two million<\/a><\/span> who have weathered human rights issues for decades, <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Niger delta oil spill clean-up launched \u2013 but could take quarter of a century :: The Guardian\" href=\"https:\/\/www.theguardian.com\/global-development\/2016\/jun\/02\/niger-delta-oil-spill-clean-up-launched-ogoniland-communities-1bn\" target=\"_blank\">including massive oil-related pollution.<\/a><\/span><\/p>\n<p style=\"text-align: left;\">It is clear that Saro-Wiwa observes instead of screams, breathes instead of asphyxiates. The only English language can be found in her artist\u2019s statements and little is vocalized all told, but she wields conversation with precision and the presentation otherwise speaks volumes. There is visual clarity in how she explores the resilience of her homeland\u2019s fabric even though recovery from outside influences is long from over. Motion pieces include: <span style=\"text-decoration: underline;\"><strong>Karikpo Pipeline<\/strong><\/span> (2015, 28 min., five-channel), a meditation on local customs, the environment, and pipeline remnants featuring three dancers in ceremonial dress; <span style=\"text-decoration: underline;\"><strong>Prayer Warriors<\/strong><\/span> (2014-2015, 33 min., five-channel), an intense experience presented in a darkened room using five monitors hung vertically in which native spiritual leaders deliver impassioned Christian-derived sermons; <span style=\"text-decoration: underline;\"><strong>Kuru\u2019s Children<\/strong><\/span> (2015, 9 min., fullscreen), a collage juxtaposing the Ogoni legend of a wise but mischievous tortoise named Kuru and two young girls whose strong presence feminizes the retelling; and <span style=\"text-decoration: underline;\"><strong>Niger Delta: A Documentary<\/strong><\/span> (2015, looped, widescreen), a deceptively static landscape of a shoreline, depicted on an enormous monitor, in which a lone and symbolic red plastic lawn chair sits in the foreground while fishermen row past in the distance, casually scooping up industrial waste from the waters instead of anything resembling nourishment for human beings or the delta itself.<\/p>\n<p style=\"text-align: left;\">Open to the public through a week from today, <strong>Saturday, March 25<\/strong>, &#8220;Did You Know We Taught Them How to Dance?&#8221; is the first solo show by Saro-Wiwa and a co-presentation of KAM and the <strong>Blaffer Art Museum<\/strong> at the <strong>University of Houston<\/strong> in <strong>Houston, Texas<\/strong>, curated by <strong>Amy L. Powell<\/strong>. <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Zina Saro-Wiwa: Did You Know We Taught Them How to Dance? :: Krannert Art Museum, UIUC\" href=\"http:\/\/kam.illinois.edu\/exhibitions\/current\/zinasarowiwa.html\" target=\"_blank\">Turn to the gallery\u2019s official page of the exhibit for more information<\/a><\/span> and look for a high-quality monograph \u2013 filled with essays, interviews, and \u201crecipe-stories\u201d reflecting the artist\u2019s interest in food growth and consumption within the Ogoni community \u2013 at the show. All that said, \u201c<strong>FOW<\/strong>\u201d is now rewarded a rest until we decide if and when our trusty department might return to a Weblog near us. <em>Fin<\/em>, and we really mean it.<\/p>\n<p style=\"text-align: left;\">~ Jason Pankoke<\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"Video still, &quot;Karikpo Pipeline,&quot; 2015 (Courtesy ZinaSaroWiwa.com)\" src=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog Art\/cu_sarowiwa_karikpopipeline.jpg\" alt=\"\" width=\"450\" height=\"450\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From the \u201cFlicker of the Week\u201d Dept.: Our critic&#8217;s pick segment concludes with a look at &#8220;Did You Know We Taught Them How to Dance?&#8221;, scheduled to close after March 25, 2017, at Krannert Art Museum in Champaign, IL.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[869,53,1618,13],"tags":[1784,1645,1648,173,1786,1106,1647,1785],"class_list":["post-10779","post","type-post","status-publish","format-standard","hentry","category-calendar-du-c-u","category-educationclasses","category-flick-picks-du-c-u","category-public-events","tag-did-you-know-we-taught-them-how-to-dance-exhibit","tag-amy-l-powell","tag-blaffer-art-museum","tag-krannert-art-museum","tag-niger-delta","tag-uiuc-college-of-fine-and-applied-arts","tag-university-of-houston","tag-zina-saro-wiwa"],"_links":{"self":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts\/10779","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10779"}],"version-history":[{"count":0,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts\/10779\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10779"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10779"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10779"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}