{"id":12763,"date":"2019-06-07T11:30:37","date_gmt":"2019-06-07T17:30:37","guid":{"rendered":"http:\/\/www.micro-film-magazine.com\/cublog\/?p=12763"},"modified":"2020-03-07T21:19:04","modified_gmt":"2020-03-08T03:19:04","slug":"urbana-sets-off-freaky-flashback","status":"publish","type":"post","link":"https:\/\/www.micro-film-magazine.com\/cublog\/?p=12763","title":{"rendered":"URBANA sets off Freaky flashback"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"Freaky Film Guy (Artwork: Eric Fisher (inks)\/Jason Pankoke (coloring))\" src=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog Art\/cu_FFF_freakyguy99.jpg\" alt=\"\" width=\"450\" height=\"450\" \/><\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\">Greetings! <a title=\"Freaky Film friend needs our help :: C-U Blogfidential\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=12741\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #800000;\">I hope that you can still take up my call to empathic arms from last week<\/span><\/a>, dearest readers, where I asked you to help support our friend <strong>Leslie<\/strong> in battling a financial pitfall as she fights a cancer scare for her life. <a title=\"Lesli Putman Fundraiser :: GoFundMe\" href=\"https:\/\/www.gofundme.com\/lesli-putman-fundraiser\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #800000;\">Please go now to her <strong>GoFundMe<\/strong> campaign<\/span><\/a> as this can wait. However, if you\u2019re still here on <strong><span style=\"text-decoration: underline;\">C-U Blogfidential<\/span><\/strong>, then we might as well get down to freakin\u2019 business by recalling the former <strong>Champaign-Urbana<\/strong> cultural event that she and I gave many volunteer hours, the <strong>Freaky Film Festival<\/strong>. We\u2019ve talked about this cornucopia of left-field cinema <a title=\"CA 2017 crosses 2018 threshold :: C-U Blogfidential\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=11428\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #800000;\">once<\/span><\/a> or <a title=\"There will be hell toup\u00e9e in DC :: C-U Blogfidential\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=10607\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #800000;\">twice<\/span><\/a> or <a title=\"Our cup once Freaketh over :: C-U Blogfidential\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=8932\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #800000;\">maybe even thrice<\/span><\/a> in the past but, for today, I want to load you up with colorful weirdness because I\u2019m simply in that kind of mood.<\/p>\n<p style=\"text-align: left;\">But, why <em>this<\/em> time? \u201cLeft field\u201d is the closest point of origin any of us could come up with for the <strong>YouTube Premium<\/strong> series <strong>CHAMPAIGN ILL<\/strong> when it was first announced last summer. I still haven\u2019t watched the non-free episodes of the set, which follows rap star entourage members played by <strong>Adam Pally<\/strong> and <strong>Sam Richardson<\/strong> as they attempt to find a footing back in Midwest society, and <a title=\"Duo goes home in ILL new series :: C-U Blogfidential\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=12413\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #800000;\">the <strong>Atlanta<\/strong>-as-Champaign-IL location shooting did not dampen my mild enjoyment<\/span><\/a> of the first three. While many <strong>Facebook<\/strong> and <strong>Twitter<\/strong> voices who apparently know the C-U and its hip-hop quotient cried foul over inaccuracies, I decided to care less about it. The story wasn\u2019t very dependent on geography. Since then, <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"\u2018\u2018Ryan Hansen,\u2019 \u2018Champaign ILL\u2019 Canceled as YouTube Prepares for New Originals Strategy (EXCLUSIVE)\u2019 by Michael Schneider :: Variety\" href=\"https:\/\/variety.com\/2019\/tv\/news\/ryan-hansen-solves-crimes-on-television-champaign-ill-canceled-youtube-1203185818\/\" target=\"_blank\" rel=\"noopener\">YouTube has nixed <strong>ILL<\/strong> as the service retools its original programming slate<\/a><\/span>. Everyone can chillax.<\/p>\n<p style=\"text-align: left;\">Yet, my movie brain is not wired like other movie brains so I considered a more extreme comparison. \u201cIf people feel that <strong>CHAMPAIGN ILL<\/strong> is aesthetically \u2018off,\u2019\u201d I had thought at one point, \u201ctheir minds would melt down at the sight of <strong>URBANA<\/strong>.\u201d Thanks to the miraculous algorithms of <strong>Google<\/strong>, I was able to quickly pull up the experimental short film <strong>URBANA<\/strong> made by <strong>San Francisco<\/strong> artist <strong>Brien Burroughs<\/strong> in 1994, a depiction of that city\u2019s architecture as an alien landscape in reverse color photography. Its title is a derivation of \u201curban\u201d and not a direct reference to Urbana, IL, yet it was chosen anyway for the first Freaky Film in 1997 and played back-to-back with another Burroughs venture into unusual technique, <strong>AQUAMORPHEUS<\/strong> (1996). You can replicate the sensation by pressing \u201cplay\u201d below.<\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/255220710\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/vimeo.com\/255220710\"><span style=\"color: #800000;\">AQUAMORPHEUS (1996)<\/span><\/a> from <a href=\"https:\/\/vimeo.com\/user80716783\"><span style=\"color: #800000;\">brien burroughs<\/span><\/a> on <span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"https:\/\/vimeo.com\">Vimeo<\/a><\/span>.<\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/255221220\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/vimeo.com\/255221220\"><span style=\"color: #800000;\">URBANA (1994)<\/span><\/a> from <a href=\"https:\/\/vimeo.com\/user80716783\"><span style=\"color: #800000;\">brien burroughs<\/span><\/a> on <span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"https:\/\/vimeo.com\">Vimeo<\/a><\/span>.<\/p>\n<p><!--more--><\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\">I can\u2019t speak for everyone who attended some or all of the four Freaky Film Festivals, <em>but<\/em>, I\u2019d be curious to know where the lives and careers of those filmmakers have led the past 20 years. Maybe that could be an investigation for someone to take up in the future. For now, we\u2019d rather present you with a few more freakin\u2019 chestnuts to view. From Freaky \u201998 is <strong>LILY AND JIM<\/strong> (1997), a droll misadventure in dating that is a student project made by the animator <strong>Don Hertzfeldt<\/strong> while attending the <strong>University of California, Santa Barbara<\/strong>. With tone-perfect voice work by <strong>Karin Anger<\/strong> and<strong> Robert May<\/strong>, <strong>LILY AND JIM<\/strong> made inroads on the festival circuit for Hertzfeldt before his irreverent line-art duo of <strong>BILLY\u2019S BALLOON<\/strong> and <strong>REJECTED<\/strong> would bulldoze their way into our hearts. Thank you forever for the laughter, <a title=\"Bitter Films :: Home Page\" href=\"http:\/\/www.bitterfilms.com\/\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"color: #800000;\">Bitter Films<\/span><\/strong><\/a>.<\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/KDt-Fz0PLvk\" width=\"450\" height=\"253\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\">From Freaky \u201999 is<strong> I, SOCKY<\/strong> (1998), a lo-fi escapade featuring a sock monkey who escapes from its domesticated environs for one night to soak up all the human hedonism it can. Created by the great San Francisco film personality <a title=\"Danny Plotnick :: Portfolio Site\" href=\"https:\/\/www.dannyplotnick.com\/\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"color: #800000;\">Danny Plotnick<\/span><\/strong><\/a> and his equally talented wife <a title=\"Alison Faith Levy :: Portfolio Site\" href=\"http:\/\/www.alisonfaithlevy.com\/\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"color: #800000;\">Alison Faith Levy<\/span><\/strong><\/a>, <strong>SOCKY<\/strong> is a solid example of how Super 8 stock and an amusing idea could easily carry a film back then.<\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/141351161\" width=\"450\" height=\"338\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"https:\/\/vimeo.com\/141351161\">I, SOCKY<\/a><\/span> from <a href=\"https:\/\/vimeo.com\/user368538\"><span style=\"color: #800000;\">danny plotnick<\/span><\/a> on <span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"https:\/\/vimeo.com\">Vimeo<\/a><\/span>.<\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\">And, from Freaky \u201900 is <strong>THE PENNY MARSHALL PROJECT<\/strong> (1999), a spoof on you-know-which-film that imagines what happens when famous movie-makers Penny Marshall (<a title=\"Lisa Jolley :: Portfolio Site\" href=\"https:\/\/www.lisajolley.com\/\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"color: #800000;\">Lisa Jolley<\/span><\/strong><\/a>), Francis Ford Coppola (<strong>Todd Stashwick<\/strong>), and Akira Kurosawa (<strong>Bobby Nakanishi<\/strong>) head into the woods to make a feature just like the young guns in the industry. Comics industry veteran <a title=\"Greg Pak :: Portfolio Site\" href=\"http:\/\/gregpak.com\/\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"color: #800000;\">Greg Pak<\/span><\/strong><\/a> directed from a concept by Jolley.<\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/aRwBxpr3_S4\" width=\"450\" height=\"253\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\">It\u2019s wonderful to watch these films again after so long, even if they\u2019re past their prime and not paired up with numerous other pieces on the big screen. (The venues for Freaky Film were the <strong>Channing-Murray Foundation<\/strong> in 1997, the <strong>Canopy Club<\/strong> in 1998, and the <strong>(New) Art Theater<\/strong> in 1999 and 2000.) Sadly, Champaign-Urbana has hosted nothing as audacious in terms of cinema variety and discovery as Freaky Film since their era, based on my long-term observation of our film culture. I will begrudgingly include <a title=\"New Art Film Festival :: Official Site\" href=\"https:\/\/newartfilmfestival.com\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #800000;\">our own <strong>New Art Film Festival<\/strong><\/span><\/a> in that assessment and predict we will not see anything like Freaky Film again in our public sphere. It would require an opportunistic group to start small and underground as did <strong>Grace Giorgio, Eric Fisher<\/strong>, and their loyal collaborators. Whomever that is needs to accrue a deep knowledge of today\u2019s \u201calternative cinema\u201d while committing a lot of drive, foresight, and screening hours to bring the \u201cleft field\u201d back to the forefront. A Freaky Film Festival <em>redux<\/em> is not so necessary. A new take on the freakin&#8217; formula is always worthwhile and welcome.<\/p>\n<p style=\"text-align: left;\">~ Jason Pankoke<\/p>\n<p style=\"text-align: left;\"><em>p.s.<\/em> Well, okay, the first Freaky Film wasn\u2019t <em>that<\/em> underground. The opening night took place at <strong>Noyes Lab<\/strong> on the <strong>University of Illinois<\/strong> where cult actor <strong>Bruce Campbell<\/strong> and genre filmmaker <strong>Josh Becker<\/strong> made an appearance in support of their novel crime drama, <strong>RUNNING TIME<\/strong>. (Fisher and Giorgio did their best with limited means and much leg work to push Freaky Film into the spotlight every year, bless \u2018em.) Lots of folks from campus filled those lecture hall seats and <a title=\"Josh Becker and Bruce Campbell at Freaky Film Festival 1997 :: Beckerfilms\" href=\"http:\/\/beckerfilms.icweb.com\/webguy3.html\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #800000;\">yours truly has the analog video to prove it<\/span><\/a>. Campbell just so happens to be returning to the small screen this <strong>Sunday, June 9<\/strong>, as host of yet another revival of <strong>RIPLEY\u2019S BELIEVE IT OR NOT<\/strong>, <a title=\"RIPLEY\u2019S BELIEVE IT OR NOT! :: The Travel Channel\" href=\"https:\/\/www.travelchannel.com\/content\/travel-com\/en\/shows\/r\/ripleys-believe-it-or-not.html\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #800000;\">this time on the <strong>Travel Channel<\/strong><\/span><\/a><span style=\"color: #000000;\">.<\/span> Groovy!<\/p>\n<p style=\"text-align: left;\"><em>p.s.2<\/em> On the flip side of the Urbana fidelity coin is <strong>URBANA<\/strong>, a completely different short from 2007 that was actually filmed <em>and<\/em> set in Urbana. <a title=\"IOW: Nice to C-U on CUBlog, pt.2 :: C-U Blogfidential\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=3527\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #800000;\">We made mention of it back in 2011<\/span><\/a> and it can only be found today as a credit on the varied resume of its writer-director, <a title=\"Directing :: Joshua Aaron Weinstein\" href=\"http:\/\/www.jaaronweinstein.com\/directing.html\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"color: #800000;\">Joshua Aaron Weinstein<\/span><\/strong><\/a>, who provides marketing and video production services to <strong>Chicago<\/strong> businesses and continues a long relationship with the theater.<\/p>\n<p style=\"text-align: left;\"><em>p.s.3<\/em> \u201cYou know how I work. I must have a script!\u201d blurts Akira Kurosawa in <strong>THE PENNY MARSHALL PROJECT<\/strong> when Francis Coppola admits he didn\u2019t bring one into the woods. As it turns out, that line of dialogue is absolutely on point <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"\u2018Akira Kurosawa's Singular Advice for Aspiring Filmmakers\u2019 by Romel Rodriquez :: No Film School\" href=\"https:\/\/nofilmschool.com\/2017\/06\/akira-kurosawas-singular-advice-aspiring-filmmakers\" target=\"_blank\" rel=\"noopener\">as proved by the vintage Kurosawa interview embedded here<\/a><\/span>.<\/p>\n<p style=\"text-align: left;\"><em>p.s.4<\/em> Did you know the Freaky Film Festival was the subject of an academic publication? Sure enough, <strong><span style=\"text-decoration: underline;\">Media Audiences and Identity: Self-Construction in the Fan Experience<\/span><\/strong> (<strong>Palgrave Macmillan<\/strong>, 2005) examines the culture surrounding Freaky Film, the rock \u2018n roll band <strong>Kiss<\/strong>, and <strong>Matt Groening<\/strong>\u2019s <strong>FUTURAMA<\/strong> in terms of how the individual can relate to media creations they care about. The book is an expansion of a dissertation by <strong>Dr. Steven Bailey<\/strong> of <strong>York University<\/strong> in <strong>Toronto<\/strong>; he interacted with all things Freaky Film during \u201cthe middle years\u201d while a Ph.D. candidate at UIUC. The textual references are dated at this point although Bailey\u2019s extrapolations do provoke thought. I\u2019m currently reading it for future reference&#8230;<\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"'Media Audiences and Identity: Self Construction in the Fan Experience' by Steve Bailey (Palgrave Macmillan)\" src=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog Art\/cu_FFF_baileybook.jpg\" alt=\"\" width=\"450\" height=\"702\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On the lighter side, there are few film things we remember more fondly than the Freaky Film Festival of Champaign. Circa 2019, the internet allows us to revisit a few former Freaky movies, circa 1999. Indulge! <\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,114,2093,13,31,20],"tags":[2106,2101,93,540,2105,1478,310,2098,2099,2103,2100,2104,1496,2102],"class_list":["post-12763","post","type-post","status-publish","format-standard","hentry","category-area-festivals","category-happy-places","category-how-you-can-help","category-public-events","category-the-old-school","category-videos-du-c-u","tag-animated-cinema","tag-brien-burroughs","tag-bruce-campbell","tag-danny-plotnick","tag-dr-steven-bailey","tag-eric-fisher","tag-freaky-film-festival","tag-grace-giorgio","tag-greg-pak","tag-i-socky","tag-lisa-jolley","tag-the-penny-marshall-project","tag-underground-cinema","tag-urbana-film-short"],"_links":{"self":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts\/12763","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12763"}],"version-history":[{"count":0,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts\/12763\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12763"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12763"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}