{"id":13714,"date":"2020-09-15T12:30:55","date_gmt":"2020-09-15T18:30:55","guid":{"rendered":"http:\/\/www.micro-film-magazine.com\/cublog\/?p=13714"},"modified":"2020-09-16T10:46:22","modified_gmt":"2020-09-16T16:46:22","slug":"hollywood-vet-directing-at-mwp","status":"publish","type":"post","link":"https:\/\/www.micro-film-magazine.com\/cublog\/?p=13714","title":{"rendered":"Hollywood vet \u2018Directing\u2019 at MWP"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"'John Badham on Directing' by John Badham (Michael Wiese Productions)\" src=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog%20Art\/cu_mwp_johnbadhamdirecting.jpg\" alt=\"\" width=\"450\" height=\"675\" \/><\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\">\u201cThrive on the set!\u201d is the goal, film director hopefuls! In the fourth of a series, we turn our attention to <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Michael Wiese Productions :: Official Site\" href=\"https:\/\/mwp.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Michael Wiese Productions<\/strong><\/a><\/span> of <strong>Studio City, California<\/strong>, a premier publisher since 1976 of trade books that cover various aspects of motion picture development, production, and distribution. The imprint\u2019s founder, <strong>Michael Wiese<\/strong>, is a native of <strong>Urbana<\/strong> and contributes to the company from his home in <strong>Cornwall, England<\/strong>. Over the next few months, we will share with you reviews of choice titles from their catalog to demonstrate the breadth of subject matter.<\/p>\n<p style=\"text-align: left;\">We are grateful to have guest writers on board to split the reviews with your humble editor. Our next title is the second edition of <strong><span style=\"text-decoration: underline;\">John Badham on Directing<\/span><\/strong>, a brand-new release this month from MWP. \u201cSharing insightful stories about such experiences as directing <strong>Goldie Hawn<\/strong> in <strong>BIRD ON A WIRE<\/strong> and working with <strong>Kurt Sutter<\/strong> on an episode of <strong>THE SHIELD<\/strong>,\u201d explains reviewer <strong>Andrew J. Rausch<\/strong>, \u201cBadham more than establishes himself as a knowledgeable expert with more than enough experience.\u201d We\u2019d hope for nothing less from <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"John Badham :: Resum\u00e9 Site\" href=\"https:\/\/www.johnbadham.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">an award-winning film and television director<\/a><\/span> with dozens of credits and a <strong>Yale<\/strong> degree! <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Andrew J. Rausch :: Wikipedia\" href=\"https:\/\/en.wikipedia.org\/wiki\/Andrew_J._Rausch\" target=\"_blank\" rel=\"noopener noreferrer\">Visit this <strong>Wikipedia<\/strong> article<\/a><\/span> for the rundown on Rausch, a <strong>Kansas<\/strong>-based pop culture journalist and web editor at <strong><span style=\"text-decoration: underline;\">Diabolique<\/span><\/strong> magazine with more than 30 books and numerous published articles under his belt. <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"\u2018John Badham on Directing: Notes from the Set of \u2018Saturday Night Fever,\u2019 \u2018War Games\u2019 and More\u2019 by John Badham :: Michael Wiese Productions\" href=\"https:\/\/mwp.com\/product\/john-badham-directing-2nd-edition-notes-set-saturday-night-fever-war-games\/\" target=\"_blank\" rel=\"noopener noreferrer\">Learn exemplary lessons from <span style=\"text-decoration: underline;\">John Badham on Directing<\/span><\/a><\/span> at the MWP website or <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"\u2018John Badham on Directing: Notes from the Set of \u2018Saturday Night Fever,\u2019 \u2018War Games\u2019 and More\u2019 by John Badham :: Amazon\" href=\"https:\/\/www.amazon.com\/John-Badham-Directing-Notes-Saturday\/dp\/1615933166\/\" target=\"_blank\" rel=\"noopener noreferrer\">purchase it through <strong>Amazon<\/strong><\/a><\/span>, while you can enjoy this slightly older <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"\u2018John Badham on moving a film in a good direction\u2019 by Susan King :: The Los Angeles Times\" href=\"https:\/\/www.latimes.com\/entertainment\/movies\/moviesnow\/la-et-mn-john-badham-20130910-story.html\" target=\"_blank\" rel=\"noopener noreferrer\">interview with the filmmaker from the <strong>Los Angeles Times<\/strong><\/a><\/span> on the occasion of the 30th anniversary of <strong>WARGAMES<\/strong> and the first edition of <span style=\"text-decoration: underline;\">On Directing<\/span>.<\/p>\n<p style=\"text-align: left;\">Condensed versions of the set will be collected in a MWP feature that we are planning for an upcoming issue of <strong><span style=\"text-decoration: underline;\">C-U Confidential<\/span><\/strong>. Please keep an eye out for our next entry in the series!<\/p>\n<p style=\"text-align: left;\">~ Jason Pankoke<\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\"><strong><span style=\"text-decoration: underline;\">John Badham on Directing: Notes from the Set of \u2018Saturday Night Fever,\u2019 \u2018War Games\u2019 and More<\/span>, 2nd edition<\/strong><br \/>\n<strong>By John Badham<\/strong><\/p>\n<p style=\"text-align: left;\"><em>Michael Wiese Productions<\/em><br \/>\n<em>Paperback, 304 pages, $28.95 SRP<\/em><\/p>\n<p style=\"text-align: left;\">Just as there is no book that can, <em>alone<\/em>, teach you how to become a great writer, there is no book that can, <em>alone<\/em>, teach you to become a great filmmaker. That includes this volume. But, if a person were to go out and learn hands-on by actually working and directing some short films, this book would be an invaluable assistance to that.<\/p>\n<p style=\"text-align: left;\"><strong>John Badham<\/strong>, a director known for such high-profile films as <strong>SATURDAY NIGHT FEVER, WARGAMES<\/strong>, and <strong>SHORT CIRCUIT<\/strong>, has been directing professionally since 1971. He is a man who knows what he\u2019s talking about. He\u2019s not some film school teacher who\u2019s merely directed three or four student films no one&#8217;s ever seen. When a director of Badham\u2019s caliber who possesses his credentials speaks, a would-be filmmaker would do well to pay attention.<\/p>\n<p style=\"text-align: left;\">Sharing insightful stories about such experiences as directing <strong>Goldie Hawn<\/strong> in <strong>BIRD ON A WIRE<\/strong> and working with <strong>Kurt Sutter<\/strong> on an episode of <strong>THE SHIELD<\/strong>, Badham more than establishes himself as a knowledgeable expert with more than enough experience. If Badham\u2019s experiences alone aren&#8217;t enough for you, he also has shared thoughts and experiences from a score of notable directors such as <strong>Jodie Foster, Taylor Hackford<\/strong>, and the late <strong>John Frankenheimer<\/strong> and <strong>Sydney Pollack<\/strong>. For instance, <strong>Oliver Stone<\/strong> observes, \u201cIn my experience, actors will give you a good performance only if you force them to look into themselves and get out of their comfort zone.\u201d Then there&#8217;s the great <strong>William Friedkin<\/strong> discussing the importance of, and the lack of respect given to, action sequences.<\/p>\n<p style=\"text-align: left;\">Would-be directors will learn everything here, from how to collaborate with actors to help them feel comfortable and give the best performances they can to exploring character motivations and what a director can do to clarify those. The veteran director also discusses important and often overlooked aspects of directing, such as planning for efficiency in a way that keeps costs and man hours down as well as working with a crew to get maximum effort and enthusiasm out of them. Badham touches on how to guide child actors and the importance of maintaining character POV through camerawork, two of the many finer points of a director\u2019s responsibilities. He even spends a good amount of time going over the particular needs of episodic television, a new section added to this second edition.<\/p>\n<p style=\"text-align: left;\"><strong><span style=\"text-decoration: underline;\">John Badham on Directing<\/span><\/strong> is accessible, too. This is perhaps the single most impressive element of the book. Badham didn\u2019t go for an overly-academic textbook writing style, but instead cuts right to the chase in the clearest way possible. He also does this without assuming what the reader does or does not already know; he provides a little background as well as definitions of each aspect of the director&#8217;s job, masterfully doing this in a way that educates the filmmaking novice without boring the more knowledgeable reader. In addition, he also includes a 10-point summary at the end of each chapter.<\/p>\n<p style=\"text-align: left;\">If you are a would-be filmmaker yourself or simply want to learn more about the craft and the considerations behind a director\u2019s decisions, this book is heartily recommended. <span style=\"text-decoration: underline;\">John Badham on Directing<\/span> makes for a valuable addition to any film reference library. It\u2019s not just a quality book on film directing, it&#8217;s the <em>essential<\/em> book on film directing. $28.95 may be a hefty price for a paperback, but it is well worth it to anyone who really wants to learn about the craft.<\/p>\n<p style=\"text-align: left;\">~ Andrew J. Rausch<\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"Michael Wiese Productions (Logo type: courtesy MWP (Twitter))\" src=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog Art\/cu_mwp_logo.jpg\" alt=\"\" width=\"450\" height=\"289\" \/><\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: center;\">Review \u00a9 2020 Andrew J. Rausch. Used with permission.<br \/>\n<span style=\"text-decoration: underline;\">CUBlog<\/span> edits \u00a9 2020 Jason Pankoke<\/p>\n<p style=\"text-align: center;\">Graphics: courtesy Michael Wiese Productions<br \/>\nThank you to Ken Lee of MWP for his assistance and kind words!<\/p>\n<p align=\"center\"><em>\u00a0<\/em><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=13714\"><em><strong><span style=\"color: #800000;\">Back to the fore, MacDuff\u2026<\/span><\/strong><\/em><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?cat=24\" target=\"_blank\" rel=\"noopener noreferrer\"><em><strong><span style=\"color: #800000;\">Visit the Review Index<\/span><\/strong><\/em><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.micro-film-magazine.com\/cublog\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em><strong><span style=\"color: #800000;\">Return to Home Page<\/span><\/strong><\/em><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Our limited series on filmmaking books from the Michael Wiese Productions library continues with \u2018John Badham on Directing\u2019 by John Badham, reviewed by Andrew J. Rausch.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[55,24,53,376,2138],"tags":[1711,2141,1341,2254,2255,735,788],"class_list":["post-13714","post","type-post","status-publish","format-standard","hentry","category-alums-done-good","category-critique-du-c-u","category-educationclasses","category-gone-hollywood","category-print-matter","tag-andrew-j-rausch","tag-book-criticism","tag-film-production","tag-john-badham","tag-john-badham-on-directing","tag-michael-wiese","tag-michael-wiese-productions"],"_links":{"self":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts\/13714","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13714"}],"version-history":[{"count":0,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts\/13714\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13714"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13714"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}