{"id":14477,"date":"2021-11-08T10:00:02","date_gmt":"2021-11-08T16:00:02","guid":{"rendered":"http:\/\/www.micro-film-magazine.com\/cublog\/?p=14477"},"modified":"2021-11-08T12:05:54","modified_gmt":"2021-11-08T18:05:54","slug":"lost-il-indie-flays-dead-bodies","status":"publish","type":"post","link":"https:\/\/www.micro-film-magazine.com\/cublog\/?p=14477","title":{"rendered":"Lost IL indie flays DEAD BODIES"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"DEAD BODIES EVERYWHERE (End of Line Productions)\" src=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog Art\/cu_deadbodieseverywhere_killer.jpg\" alt=\"\" width=\"448\" height=\"339\" \/><\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\">November may finally be in the air, dearest readers, but the nightmares are not quite over at <strong>MFHQ Remote<\/strong>. Plenty of non-horror content is on the way and before then, <strong><span style=\"text-decoration: underline;\">C-U Blogfidential<\/span><\/strong> would like to get a few bonus horror topics out of our jack-o-lanterns before the cobwebs set in. I\u2019ve recently written about <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Ye Ed slays Korean DEVIL, more :: C-U Blogfidential\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=14457\" target=\"_blank\" rel=\"noopener noreferrer\">films that have been revisited by genre fans<\/a><\/span> as well as <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Blu-ray SAVES Turkish sci-fi fave :: C-U Blogfidential\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=14445\" target=\"_blank\" rel=\"noopener noreferrer\">restored for genre fans<\/a><\/span>, <em>so<\/em>, what can be written about ones that never earned a fandom or any sort of notoriety at all? While researching all the details packed tightly into <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Wave of terror SLAYS the state :: C-U Blogfidential\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=14423\" target=\"_blank\" rel=\"noopener noreferrer\">my previous articles about <strong>Illinois<\/strong> indie horrors<\/a><\/span>, I came across one particular effort that informally belongs to a pack of non-starter projects made in the <strong>Bloomington-Normal<\/strong> area roughly 10 years ago, placed quietly on <strong>YouTube<\/strong> by its creator in late 2019. To finally see it <em>is<\/em> a mild shock!<\/p>\n<p style=\"text-align: left;\">The curious anywhere <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"DEAD BODIES EVERYWHERE @ YouTube\" href=\"https:\/\/youtu.be\/aPrJOp6eTm8\" target=\"_blank\" rel=\"noopener noreferrer\">can now witness <strong>DEAD BODIES EVERYWHERE<\/strong><\/a><\/span>, a woodland slasher filmed in central Illinois farm country by former <strong>Peoria<\/strong> and <strong>McLean County<\/strong> resident <strong>Shea VanLaningham<\/strong>, one of several participants in <strong>Jason Huls<\/strong>\u2019 <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"LATE AFTERNOON OF THE LIVING DEAD @ YouTube\" href=\"https:\/\/youtu.be\/Nk-3V08Lmo4\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>LATE AFTERNOON OF THE LIVING DEAD<\/strong><\/a><\/span> (2007) to try their own hand at the micro-budget production thing. VanLaningham went for the throat with a spare and somewhat nihilistic thriller that follows three groups of young people over a 15-year span who meet bloody doom on property haunted by a stock Eighties killing machine, in this instance an abused child-turned-cannibal named Arthur Grigsby. What effectiveness it manages is largely due to the droning music cues, post-production tweaks that affect gauzy Super 8 film in the daylight and inky VHS bootlegs at night, and an overall grimness every time Grigsby gets the blood flowing fast and cheap. I sighed in relief at the end for all the reasons, largely because its amateur nature regularly bogs down the brief 70-minute runtime.<\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/iFIet5zCGeQ\" width=\"450\" height=\"253\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\">I do believe these folks were aiming for higher-grade tension and scares. Produced by <strong>Catherine Flynn<\/strong> and VanLaningham and starring <strong>Melissa Marie Watson, Rito Balducci, Sarah Tongren, Carissa Lund, Ron Rotondo, Steve Christopher<\/strong>, Flynn, and VanLaningham in the \u201cpresent day\u201d segment, <strong>DEAD BODIES<\/strong> scatters the bread crumbs of potential on Grigsby\u2019s grounds and struggles to pick up on the trail of an overall better movie. As well, the pop culture world at large apparently lost the scent very quickly; little can be found on the internet from when the writer\/director briefly promoted it \u2013 a piece of key art promises \u201cAugust 2011\u201d for its release \u2013 and <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"DEAD BODIES EVERYWHERE abandoned listing @ Amazon\" href=\"https:\/\/www.amazon.com\/Cafetec-Dead-Bodies-Everywhere\/dp\/B0086068BG\" target=\"_blank\" rel=\"noopener noreferrer\">sold his own DVDs through <strong>Amazon<\/strong><\/a><\/span>. Reviews from the time period can still be read at sites like <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"\u2018Film Review: Dead Bodies Everywhere (2011)\u2019 by Corey Danna :: Horrornews.net\" href=\"https:\/\/horrornews.net\/53190\/film-review-dead-bodies-everywhere-2011\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong><span style=\"text-decoration: underline;\">Horrornews<\/span>.net<\/strong><\/a><\/span> and <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"\u2018AICN HORROR looks at new horrors; LITTLE DEATHS! GREY SKIES! DEAD BODIES EVERYWHERE! THE UNDYING! &amp; a look back at THE WEREWOLF!!!\u2019 by \u2018Ambush Bug\u2019 :: Ain\u2019t It Cool News\" href=\"http:\/\/legacy.aintitcool.com\/node\/52309\" target=\"_blank\" rel=\"noopener noreferrer\"><strong><span style=\"text-decoration: underline;\">Ain\u2019t It Cool News<\/span><\/strong><\/a><\/span>, both of which tried to give the dodgy <strong>DEAD BODIES<\/strong> a fair shake, but then the evidence stops cold until the YouTube upload. I can finally remove it from my unofficial \u201cMystery Movie du C-U\u201d search list and viewing queue. <em>Whew<\/em>.<\/p>\n<p style=\"text-align: left;\">Not long after completing <strong>DEAD BODIES<\/strong>, VanLaningham moved from the Midwest to one coast and then the other before settling in <strong>Tacoma, Washington<\/strong>, where <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Shea VanLaningham @ LinkedIn\" href=\"https:\/\/www.linkedin.com\/in\/shea-vanlaningham-b284782b\" target=\"_blank\" rel=\"noopener noreferrer\">he works in Web and product accessibility<\/a><\/span>. Outside the office, he has contributed to a handful of shorts by <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"60 Second SciFi :: Home Page\" href=\"http:\/\/www.60secondscifi.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">the \u201c<strong>60 Second SciFi<\/strong>\u201d collective<\/a><\/span> and produced <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Shea VanLaningham @ YouTube\" href=\"https:\/\/www.youtube.com\/channel\/UCy84oTyDhkKn6a8ntm1t7OQ\" target=\"_blank\" rel=\"noopener noreferrer\">new shorts of his own<\/a><\/span> such as a <strong>TWILIGHT ZONE<\/strong>-type morality play called <strong>AND DARKNESS COMES<\/strong>. His newer life in the Pacific Northwest has obviously replenished his creativity, <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Shea VanLaningham @ IMDb\" href=\"https:\/\/www.imdb.com\/name\/nm2860483\/\" target=\"_blank\" rel=\"noopener noreferrer\">confirmed by a several-year gap in credits<\/a><\/span> on the <strong>Internet Movie Database<\/strong>, so I wish VanLaningham the best of luck in exploring film again. As for everyone else involved with <strong>DEAD BODIES EVERYWHERE<\/strong> other than busy character actor Christopher, I\u2019m not sure if careers or lengthy hobbies in entertainment followed for them. Additional glances at IMDb profiles suggest \u201cno.\u201d That\u2019s the way a body of film decomposes, I guess.<\/p>\n<p style=\"text-align: left;\">~ Jason Pankoke<\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"DEAD BODIES EVERYWHERE (End of Line Productions)\" src=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog Art\/cu_deadbodieseverywhere_adart.jpg\" alt=\"\" width=\"448\" height=\"631\" \/><\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p><!--more--><\/p>\n<p style=\"text-align: left;\"><em>p.s.<\/em> Despite outward appearances, I\u2019m not down at all about covering <strong>DEAD BODIES EVERYWHERE<\/strong>. If you\u2019ve paid attention to <strong><span style=\"text-decoration: underline;\">CUBlog<\/span><\/strong> for any length of time in our 15-plus years, you know that we readily acknowledge two major tenets in regional cinema \u2013 one, all filmmakers have to start somewhere, and two, not all films are created or received equally. <strong>DEAD BODIES<\/strong> may be overly \u201cmeh\u201d to me as a viewing experience and minor in in the grand scheme, but I\u2019m totally \u201chell yeah\u201d with its inclusion in our long-standing discussion of the movies of <strong>Champaign, Urbana<\/strong>, and the cities (and rural areas) beyond. At least <em>this<\/em> group of meddling filmmaker kids (circa 2009) got the job done, unlike others I <em>could<\/em> name. Maybe it\u2019s time to document the AWOL BloNos. <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"IOW: STRANGE to see no BloNo :: C-U Blogfidential\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=9261\" target=\"_blank\" rel=\"noopener noreferrer\">I\u2019ve already pointed my fickle finger<\/a><\/span> at the FauxNos\u2026<\/p>\n<p style=\"text-align: left;\"><em>p.s.2<\/em> That said, <strong>DEAD BODIES<\/strong> <em>is<\/em> the direct result of \u201ctry and try again\u201d for the meddling filmmaker kids. I have a vague recollection of listening to an old audio interview between VanLaningham and a couple of horror movie proto-podcasters in which he drolly eulogized one of his projects that keeled over well short of the finish line. I didn\u2019t think it was <strong>DEAD BODIES<\/strong> and, as it turns out, <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Episode 16: \u2018Behind the Scenes of Blood Pledge\u2019 :: \u2018Horror Junk\u2019 channel @ YouTube\" href=\"https:\/\/youtu.be\/PKAROb2BbCw\" target=\"_blank\" rel=\"noopener noreferrer\">I was right. This is new to me and I dig the lo-fi time capsule aspect of it.<\/a><\/span> The video also helps us appreciate VanLaningham\u2019s approach to formulating and planning his no-budget flicks. Behind-the-scenes footage features brief appearances from <strong>DEAD BODIES<\/strong> cast members <strong>Megan Marie Wilson <\/strong>and Christopher.<\/p>\n<p style=\"text-align: left;\"><em>p.s.3<\/em> As I\u2019ve stumbled to get this article finished, <em>another<\/em> relevant genre feature late to the <strong>Halloween<\/strong> party has reared its horror-ble head and lends an illustration to points already made here. (Face it. The C-Universe \u201cis complicated.\u201d) Thanks to a social share by the folks at the <strong>Harvest Moon Twin Drive-in<\/strong> of <strong>Hoopeston<\/strong> we know about <strong>LANTERN\u2019S LANE<\/strong>, the second directorial effort by <strong>Watseka<\/strong> native <strong>Justin LaReau<\/strong> of <strong>Tidal Wave Productions<\/strong> in <strong>Los Angeles<\/strong>, which was <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"\u2018Horror film by Watseka native coming out on Friday\u2019 by Stephanie Markham :: The Daily-Journal\" href=\"https:\/\/www.daily-journal.com\/news\/local\/horror-film-by-watseka-native-coming-out-friday\/article_5be67c84-3cba-11ec-99c5-efaa7a283b78.html\" target=\"_blank\" rel=\"noopener noreferrer\">put into limited release and on streaming platforms by <strong>Vertical Entertainment<\/strong><\/a><\/span> last <strong>Friday, November 5<\/strong>. <strong><span style=\"text-decoration: underline;\">The Daily-Journal<\/span><\/strong> of Kankakee reports <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"\u2018Watseka-native directs horror film based on area urban legend\u2019 by Stephanie Markham :: The Daily-Journal\" href=\"https:\/\/www.daily-journal.com\/news\/local\/watseka-native-directs-horror-film-based-on-area-urban-legend\/article_22536ebe-1ad8-11eb-85a0-232d7f112e56.html\" target=\"_blank\" rel=\"noopener noreferrer\">it was shot last year in northern <strong>California<\/strong> but set in Illinois<\/a><\/span>, the story loosely based on a real-life urban legend that concerns a spectral woman who walks a remote road in <strong>Iroquois County<\/strong> with lantern in hand. I have yet to watch <strong>LANTERN\u2019S LANE<\/strong> and it\u2019s <em>already<\/em> causing me to see ghosts. Note the graphics and trailer that appear above. And now, <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"LANTERN\u2019S LANE trailer :: Vertical Entertainment channel @ YouTube\" href=\"https:\/\/youtu.be\/SA4Ck1G9drU\" target=\"_blank\" rel=\"noopener noreferrer\">hit YouTube for Vertical\u2019s trailer<\/a><\/span> and look below at <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"LANTERN\u2019S LANE @ IMDb\" href=\"https:\/\/www.imdb.com\/title\/tt11880264\/\" target=\"_blank\" rel=\"noopener noreferrer\">Vertical\u2019s one-sheet borrowed from IMDb<\/a><\/span>. Grigsby and this upscale goon <em>could<\/em> be cousins or something. <em>Hrm<\/em>.<\/p>\n<p style=\"text-align: left;\"><em>p.s.4<\/em> We\u2019re <em>still<\/em> not done slashin\u2019 away! Our coverage of <strong>UNLISTED OWNER<\/strong> is finally on deck and we\u2019ll eventually learn what <strong>John Isberg<\/strong>\u2019s <strong>FINAL SUMMER<\/strong> does with a subgenre long of ill repute. Should we start a Confidential agent office pool and bet on which friends and neighbors try to make one next?<\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"LANTERN'S LANE (Vertical Entertainment)\" src=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog Art\/cu_lanternslane_poster.jpg\" alt=\"\" width=\"448\" height=\"664\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Illinois native Shea VanLaningham tried to crack the indie horror market with DEAD BODIES EVERYWHERE some 10 years ago. We thought it had been long buried. We were dead wrong.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[55,348,23,2264],"tags":[2403,1082,2401,2400,1306,2405,2404,147,2402,2399,2345,2406],"class_list":["post-14477","post","type-post","status-publish","format-standard","hentry","category-alums-done-good","category-ones-that-got-away","category-preservation","category-streaming-cinema","tag-aint-it-cool-news","tag-bloomington-illinois","tag-dead-bodies-everywhere","tag-end-of-line-productions","tag-horror-films","tag-justin-lareau","tag-lanterns-lane","tag-late-afternoon-of-the-living-dead","tag-melissa-marie-watson","tag-shea-vanlaningham","tag-steve-christopher","tag-watseka-il"],"_links":{"self":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts\/14477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14477"}],"version-history":[{"count":0,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts\/14477\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}