{"id":3026,"date":"2011-03-17T11:00:06","date_gmt":"2011-03-17T17:00:06","guid":{"rendered":"http:\/\/www.micro-film-magazine.com\/cublog\/?p=3026"},"modified":"2014-09-06T14:54:35","modified_gmt":"2014-09-06T20:54:35","slug":"belvedere-continues-series","status":"publish","type":"post","link":"https:\/\/www.micro-film-magazine.com\/cublog\/?p=3026","title":{"rendered":"BELVEDERE continues series"},"content":{"rendered":"<p style=\"text-align: left;\">The following film capsules describing the selections of <a title=\"Global Lens 2011 :: The Global Film Initiative\" href=\"http:\/\/catalogue.globalfilm.org\/global-lens-2011-information\" target=\"_blank\">this year\u2019s <strong>Global Lens<\/strong> series<\/a> were sent to <strong>C-U Blogfidential<\/strong> last month by <strong>Karen Hewitt<\/strong>, Outreach Coordinator for the <strong>Center for Global Studies<\/strong> at the <strong>University of Illinois<\/strong>. Unfortunately they arrived <em>right <\/em>before the play date for opening movie <strong>OPERA JAWA<\/strong> so we didn\u2019t have time to post them in tandem, although you will find the bare-bones details listed in the weekly <strong>C-U Biz-en-sc\u00e8ne<\/strong> column as a reminder. That said, the series\u2019 next entry, <a title=\"BELEVEDERE :: Global Lens 2011 series\" href=\"http:\/\/catalogue.globalfilm.org\/global-lens-collection\/global-lens-2011\/belvedere.html\" target=\"_blank\"><strong>BELVEDERE<\/strong><\/a>, will play at the <strong>University YMCA, 1001 S. Wright St., Champaign<\/strong>, at <strong>5:30<\/strong> later tonight, <strong>Thursday, March 17<\/strong>, so be sure to check out this and future titles for your international cinema fix! Admission is free.<\/p>\n<p style=\"text-align: left;\">~ Jason Pankoke<\/p>\n<p style=\"text-align: left;\"><em>p.s.<\/em> We\u2019re flattered Ms. Hewitt found <strong>CUBlog <\/strong>worthy enough to entrust us with the information. What about all the <em>other <\/em>UIUC departments that schedule film screenings and filmmaker appearances we rarely find out about until right before or right after they occur? If you\u2019re reading this, <a title=\"Write to C-U Blogfidential!\" href=\"mailto:cuconfidential@gmail.com\" target=\"_blank\">now you know how to contact us<\/a>!<\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: center;\"><strong>GLOBAL LENS 2001 Film Series<\/strong><\/p>\n<p style=\"text-align: left;\">1. <strong>Thursday, February 17th, 2011<br \/>\nOPERA JAWA, dir. Garin Nugroho, Indonesia, 2006<\/strong><br \/>\nSetyo and Siti live a peaceful life as husband and wife, selling earthenware in their village. But when Setyo is called away on business, a flirtatious butcher, Ludiro, takes advantage of Siti&#8217;s loneliness to seduce her. Tempted by song and dance, Siti initially refuses his advances but acquiesces in a moment of weakness, setting the stage for an epic battle between the two men.<\/p>\n<p style=\"text-align: left;\"><strong>Global Lens 2011<\/strong> will present the award-winning visual masterpiece, <strong>OPERA JAWA<\/strong> as part of the Initiative&#8217;s retrospective program, <strong>Chairman&#8217;s Choice<\/strong>, which was established in 2009 to re-introduce exceptional films from the <strong>Global Lens Collection<\/strong> for theatrical exhibition. <strong>OPERA JAWA<\/strong> originally appeared in Global Lens 2008.<\/p>\n<p style=\"text-align: left;\">2. <strong>Thursday, March 17th, 2011<br \/>\nBELVEDERE, dir. Ahmed Imamovi\u0107, Bosnia-Herzegovina, 2010<\/strong><br \/>\nFifteen years after the ethnic cleansing of Bosnian Muslims during the Balkan conflict, a determined widow searching for the remains of her husband and son quietly attempts to rebuild her life by caring for her troubled extended family.<\/p>\n<p style=\"text-align: left;\">3. <strong>Thursday, April 21, 2011<br \/>\nDOOMAN RIVER, dir. Zhang Lu, China, 2009<\/strong><br \/>\nTwo boys on opposite sides of the Chinese-Korean border strike a playful friendship that comes under scrutiny and strain after a series of thefts in a nearby town lead Chinese residents to cast suspicion on North Korean refugees.<\/p>\n<p style=\"text-align: left;\"><!--more--><\/p>\n<p style=\"text-align: left;\">4. <strong>Thursday, May 19, 2011<br \/>\nTHE INVISIBLE EYE (LA MIRADA INVISIBLE), dir. Diego Lerman, Argentina, 2010<\/strong><br \/>\nAgainst the backdrop of Argentina&#8217;s mid-80s military regime, an overzealous young teacher develops an unusual obsession with one of her students after she is asked to keep a watchful &#8220;eye&#8221; over the happenings at an elite Buenos Aires private school.<\/p>\n<p style=\"text-align: left;\">5. <strong>Thursday, June 16, 2011<br \/>\nTHE LIGHT THIEF (SVET-AKE), dir. Aktan Arym Kubat, Kyrgyzstan, 2010<\/strong><br \/>\nA humble electrician intent on enlivening his windswept valley with electricity unwittingly strikes a deal with a rich politician whose corrupt ambitions threaten to upend the electrician&#8217;s dream to build windmills in his village.<\/p>\n<p style=\"text-align: left;\">6. <strong>Thursday, July 21, 2011<br \/>\nSOUL OF SAND (PAIRON TALLE), dir. Sidharth Srinivasan, India, 2010<\/strong><br \/>\nA watchman at an abandoned mine is drawn into a bizarre triangle after a wealthy landlord&#8217;s daughter and her lower-caste lover seek refuge from a masked killer wreaking havoc across the Indian countryside.<\/p>\n<p style=\"text-align: left;\">7. <strong>Thursday, August 18, 2011<br \/>\nSTREET DAYS (QUCHIS DGEEBI), dir. Levan Koguashvili, Georgia, 2010<\/strong><br \/>\nA well-meaning heroin addict whose life and status seem to worsen by the day, finds himself caught between serving a prison sentence and selling out the son of his former classmate.<\/p>\n<p style=\"text-align: left;\">8. <strong>Thursday, September 15, 2011<br \/>\nTHE TENANTS (OS INQUILINOS), dir. S\u00e9rgio Bianchi, Brazil, 2009<\/strong><br \/>\nAfter three mysterious men move into a smoky S\u00e3o Paulo suburb, a neighboring couple becomes obsessed with the men&#8217;s clandestine activities and the ozone of violence that descends upon their once-tranquil neighborhood.<\/p>\n<p style=\"text-align: left;\">9. <strong>Thursday, October 20, 2011<br \/>\nA USEFUL LIFE (LA VIDA \u00daTIL), dir. Federico Veiroj, Uruguay, 2010<\/strong><br \/>\nAfter financial troubles and a dwindling audience force an art-house cinema to shut its doors permanently, its most devoted employee is suddenly left without a &#8220;home&#8221; and forced to adjust to life outside of the theater.<\/p>\n<p style=\"text-align: left;\"><strong>10. Thursday, November 17, 2011<br \/>\nWHITE MEADOWS (KESHTZAR HAYE SEPID), dir. Mohammad Rasoulof, Iran, 2009<\/strong><br \/>\nRowing through the salty waters of a vast marsh, a boatman quietly collects and combines the tears and confessions of nearby island residents into a dreamlike mythology of modern Iran.<\/p>\n<p style=\"text-align: left;\">###<\/p>\n<p style=\"text-align: left;\"><strong>CONTACT:<\/strong><br \/>\n<strong>Karen Hewitt<br \/>\nOutreach Coordinator<br \/>\nCenter for Global Studies<br \/>\nUniversity of Illinois<\/strong><br \/>\n303 International Studies Bldg., MC-402<br \/>\n910 South Fifth Street<br \/>\nChampaign, IL 61820<br \/>\n217-244-0288<br \/>\nkhewitt@illinois.edu<br \/>\nhttp:\/\/cgs.illinois.edu<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The University YMCA continues its presentation of the Global Lens 2011 international film series this week with a thoughtful Bosnia-Herzegovina entry, BELVEDERE, directed by Ahmed Imamovi\u0107.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,416,13],"tags":[648,647,646],"class_list":["post-3026","post","type-post","status-publish","format-standard","hentry","category-area-festivals","category-news-du-c-u","category-public-events","tag-belvedere","tag-global-lens-2011","tag-uiuc-center-for-global-studies"],"_links":{"self":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts\/3026","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3026"}],"version-history":[{"count":0,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts\/3026\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3026"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3026"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3026"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}