{"id":3467,"date":"2011-05-28T21:59:10","date_gmt":"2011-05-29T03:59:10","guid":{"rendered":"http:\/\/www.micro-film-magazine.com\/cublog\/?p=3467"},"modified":"2014-09-06T14:53:54","modified_gmt":"2014-09-06T20:53:54","slug":"iow-through-the-spooky-glass","status":"publish","type":"post","link":"https:\/\/www.micro-film-magazine.com\/cublog\/?p=3467","title":{"rendered":"IOW: Through the spooky glass"},"content":{"rendered":"

Sure, \u2018tis not really<\/em> the season to showcase creepy crawly movie things, yet our double barreled pimping yesterday of the Freeky Creek Short Film Festival<\/strong> and the Drunken Zombie Film Festival<\/strong> inspired us to go for the throat today! Whether we clamp down hard with our first clip, induce a gag reflex via the second, or conjure one of those super-annoying tickles that just won\u2019t quit due to the teaser poster, us Midwestern folk can clearly muster the weirdness alongside everyone else in that business we call show!<\/p>\n

At long last, we bring you visual confirmation of the Tangeant Productions<\/strong> short THE WINDOW INTO TIME<\/strong><\/a>, an original story created by Thomas Nicol<\/strong> of Urbana <\/strong>in the vein of the late writer H.P. Lovecraft<\/strong> (At the Mountains of Madness<\/strong><\/span>). Shot by DSLR madman Tim Meyers<\/strong> and drenched in post-production with eerie duotones, WINDOW <\/strong>stars Bill Kephart<\/strong> (REVOLTING<\/strong>) and Stephanie Swearingen<\/strong> (ONCE UPON A TIME IN 1972<\/strong>) as daring scientists who mate modern knowledge with ancient texts, collected by a wary colleague (Michael Kilcullen<\/strong>) and encoded with mind-blowing secrets simply intended to \u2026 unlock<\/em>:<\/p>\n

<\/embed><\/object><\/p>\n

We\u2019ve also scored our first peek at the next project from C-U Blogfidential<\/strong> contributor Tyler Tharpe<\/strong> called DOUBLE DOSE OF TERROR!!<\/a> <\/strong>\u2013 emphasis on the exclamation points, there are <\/em>two of \u2018em \u2013 an anthology horror movie produced by Tharpe\u2019s Innerworld Pictures<\/strong> and MagGot Films<\/strong> of Pittsburgh<\/strong>, run by Michael Todd Schneider<\/strong>. A framing tale directed by MagGot\u2019s Max Almeida<\/strong> involving an underground slave ring sets up two grueling stories, \u201cBowling Night<\/strong>\u201d directed by Tharpe and \u201cOur Devil\u2019s Night<\/strong>\u201d directed by Schneider:<\/p>\n

<\/p>\n

<\/embed><\/object><\/p>\n

To seal the triple threat this evening, Drunken Zombie leaves us no other alternative but to share their new festival poster, once again nicely retro-designed by Matt O\u2019Neill<\/strong> and quite suitable for hanging should prints be made available this November<\/a>!<\/p>\n

~ Jason Pankoke<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

From the \u201cImages of the Week\u201d Dept.: Get groovy with the ghoulies invading this week’s installment, in which we posit scientifical evidence that local-ish movies such as THE WINDOW INTO TIME and DOUBLE DOSE OF TERROR!! really exist.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,19,13,20],"tags":[717,481,716,715,568,584],"class_list":["post-3467","post","type-post","status-publish","format-standard","hentry","category-area-festivals","category-images-du-cu","category-public-events","category-videos-du-c-u","tag-double-dose-of-terror","tag-drunken-zombie-film-festival","tag-innerworld-pictures","tag-maggot-films","tag-the-window-into-time","tag-tyler-tharpe"],"_links":{"self":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts\/3467","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3467"}],"version-history":[{"count":0,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts\/3467\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3467"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3467"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}