{"id":7411,"date":"2014-05-17T15:15:26","date_gmt":"2014-05-17T21:15:26","guid":{"rendered":"http:\/\/www.micro-film-magazine.com\/cublog\/?p=7411"},"modified":"2014-09-06T14:47:03","modified_gmt":"2014-09-06T20:47:03","slug":"projects-need-green-to-hit-screens","status":"publish","type":"post","link":"https:\/\/www.micro-film-magazine.com\/cublog\/?p=7411","title":{"rendered":"Projects need green to hit screens"},"content":{"rendered":"<p style=\"text-align: left;\">Two weeks ago <span style=\"color: #800000;\"><a title=\"Scoop: FOOD film is good for C-U :: C-U Blogfidential\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=7371\" target=\"_blank\"><span style=\"color: #800000;\">we first wrote about the impending film production <strong>FOOD<\/strong><\/span><\/a><\/span>, for which crew and cast will shoot on location in and near<strong> Champaign-Urbana<\/strong> beginning next weekend. Many local talents who actively feed into \u201cthe film scene\u201d covered by <strong>C-U Blogfidential<\/strong> will no doubt take part, while an inevitable cloud of curious onlookers, media reporters, business leaders, and arts proponents will hover around the periphery to try and better understand how such an occurrence impacts our community, if not merely to be nosy. Although <strong>FOOD<\/strong> might not exude <span style=\"color: #800000;\"><a title=\"For THE INFORMANT! eyes only :: C-U Blogfidential\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=2138\" target=\"_blank\"><span style=\"color: #800000;\">the scope or star power of something like <strong>THE INFORMANT!<\/strong><\/span><\/a><\/span>, it will be too easy for everyone to get caught up in the excitement.<\/p>\n<p style=\"text-align: left;\">How <em>can<\/em> the non-filmmakers du C-U help if they are not already lending <strong>FOOD<\/strong> services, locations, props, vehicles, or their pretty faces? We suggest they investigate other ways in which to aid our subculture, such as giving the gift of funding to those <em>already<\/em> making movies in our shared backyard. You\u2019ve no doubt heard of \u201ccrowdsourcing,\u201d the Internet fundraising method popular with producers who use it to appeal to potential consumers in order to secure budgets for various aspects of film production, post-production, marketing, and merchandising, yes? <em><\/em>Several camps amongst us currently need <em>you<\/em> to help achieve their goals via said methods, so let&#8217;s take a look at the details!<\/p>\n<p style=\"text-align: left;\"><!--more--><\/p>\n<p style=\"text-align: left;\">A pair of active crowdsource campaigns running since April provide interesting contrasts in pitch and prizes. One close to hitting its monetary plateau is the <strong>Kickstarter<\/strong> push for funding a second season of the sprightly \u201ctransistorpunk\u201d series <a title=\"ONCE UPON A TIME IN THE 1970s @ Facebook\" href=\"https:\/\/www.facebook.com\/transistorpunk\" target=\"_blank\"><span style=\"color: #800000;\"><strong>ONCE UPON A TIME IN THE 1970s<\/strong><\/span><\/a> by <a title=\"Kill Vampire Lincoln Productions :: Official Site\" href=\"http:\/\/killvampirelincoln.com\/\" target=\"_blank\"><span style=\"color: #800000;\"><strong>Kill Vampire Lincoln Productions<\/strong><\/span><\/a> of Champaign. As of 12 p.m. today, 142 backers had pledged $7,029 of the $8,000 goal, earmarked for \u201cproducing additional episodes, preposterously large robots, and (most importantly) compensating the cast and crew\u201d per their campaign set to expire at <strong>1:30 p.m.<\/strong> this <strong>Monday, May 19<\/strong>. In the following video, creators <strong>Chris<\/strong> and <strong>Anne Lukeman<\/strong> talk about their aims with assistance from \u201cStumpy the Pimpbot\u201d of the \u201c1977\u201d episodes in Season One:<\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" src=\"https:\/\/www.kickstarter.com\/projects\/1770835268\/once-upon-a-time-in-the-1970s-sci-fi-webseries-sea\/widget\/video.html\" height=\"338\" width=\"450\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p style=\"text-align: left;\">Elsewhere, <a title=\"Dreamscape Cinema :: Home Page\" href=\"http:\/\/www.dreamscapecinema.com\/index-dsc.html\" target=\"_blank\"><span style=\"color: #800000;\"><strong>Dreamscape Cinema<\/strong><\/span><\/a> of Champaign is seeking a robust cash flow with which <a title=\"LOWLIFES fundraising event @ Facebook\" href=\"https:\/\/www.facebook.com\/events\/1526168977610102\/\" target=\"_blank\"><span style=\"color: #800000;\">to promote their upcoming action film<\/span> <\/a><strong>LOWLIFES<\/strong> starring <strong>Booboo Stewart<\/strong> (<strong>X-MEN: DAYS OF FUTURE PAST<\/strong>) and <strong>William Atherton<\/strong> (<strong>DIE HARD<\/strong>). Their <strong>Indiegogo<\/strong> crusade lasts until the end of <strong>Wednesday, May 28<\/strong>, with 35 funders contributing $1,356 so far towards a $25,500 milestone intended to back \u201ca small release in big cities where reviewers and distributors can view the finished movie, a film festival campaign where audiences [can help] build a following and theatrical distributors can watch and hopefully bid on [the rights, and an] on-line campaign and marketing [push] to build viewership demand.\u201d Producer <strong>Robin Christian<\/strong> teases the near-finished feature below with exclusive clips:<\/p>\n<p style=\"text-align: left;\"><object width=\"450\" height=\"253\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"\/\/www.youtube.com\/v\/8nfKQkmfyp4?version=3&amp;hl=en_US\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed width=\"450\" height=\"253\" type=\"application\/x-shockwave-flash\" src=\"\/\/www.youtube.com\/v\/8nfKQkmfyp4?version=3&amp;hl=en_US\" allowFullScreen=\"true\" allowscriptaccess=\"always\" allowfullscreen=\"true\" \/><\/object><\/p>\n<p style=\"text-align: left;\">Many crowdsourcing efforts gain traction due to creative pleas as well as novel premiums awarded at various dollar amounts. Dreamscape offers <a title=\"LOWLIFES theatrical campaign @ Indiegogo\" href=\"https:\/\/www.indiegogo.com\/projects\/lowlifes-theatrical-release-campaign\" target=\"_blank\"><span style=\"color: #800000;\">a mix of outreach, participation, and memorabilia in their <strong>LOWLIFES<\/strong> \u201cperk\u201d levels<\/span><\/a>, ranging from a minimum $5 (personal tweet thank-you) to $2,500 (Blu-ray copy of the finished film, movie script, costuming item, admission to premiere, name in final credits, a personal call from Christian) to the top $30,000 tier including those items and a \u201cBlue Stone Academy\u201d uniform worn on the set. While at face value the gifts are keepsakes similar to those offered in other film funding efforts, the general appeal of the numerous up-and-coming actors in <strong>LOWLIFES<\/strong> might help encourage direct support from their fans.<\/p>\n<p style=\"text-align: left;\">Conversely, <a title=\"ONCE UPON A TIME IN THE 1970s: Season Two campaign @ Kickstarter\" href=\"https:\/\/www.kickstarter.com\/projects\/1770835268\/once-upon-a-time-in-the-1970s-sci-fi-webseries-sea\" target=\"_blank\"><span style=\"color: #800000;\">Kill Vampire\u2019s array of swag directly reflects the eclectic, hand-made aesthetic qualities<\/span><\/a> that endear <strong>ONCE UPON A TIME IN THE 1970s<\/strong> to younger science fiction, time travel, and \u201csteampunk\u201d aficionados. Pledge levels go from a mere $1 (personal thank-you) to $10 (high-definition download) to $60 (download, Blu-ray copy tucked in floppy disc casing, t-shirt, etc.), but then bonuses <em>really<\/em> become fun and unique. $100 rewards a supporter with a \u201cvacuum tube robot spider\u201d prop as seen in animated form during Season One, $150 earns a financier a limited edition 1970s board game, and so on. The top $8,000 tier encompasses certain goods, a credit as backer, robot naming rights, and the lovably clunky \u201cBruce\u201d automaton prop introduced in the first produced episode, \u201c1972.\u201d<\/p>\n<p style=\"text-align: left;\">It should be no surprise that both Indiegogo and Kickstarter receive a cut of every campaign\u2019s gross. The core distinction between the services is that Indiegogo allows campaigners to keep moneys raised minus the fee even if a goal is not met, while Kickstarter operates on an \u201call or nothing\u201d methodology. Kill Vampire therefore needs to reach or exceed that $8,000 watermark in two days\u2019 time to earn their future budget in full, yet Dreamscape might be forced to adjust strategies based on whether they hit their own goal, fall short but choose to work with what they gain, or fall short and look to other resources for making up the difference. It does not need to be dramatized on <strong>CUBlog<\/strong> how independent filmmakers need every penny budgeted in their respective plans to make it all work, for it is <em>always<\/em> a potential predicament.<\/p>\n<p style=\"text-align: left;\"><em><\/em>Case in point is a third fundraising campaign for the dramatic feature <a title=\"THE GARDEN OF CHLOE @ Facebook\" href=\"https:\/\/www.facebook.com\/thegardenofchloe\" target=\"_blank\"><span style=\"color: #800000;\"><strong>THE GARDEN OF CHLOE<\/strong><\/span><\/a>, directed by <strong>Johnny Robinson<\/strong> of Urbana. His Indiegogo effort <a title=\"THE GARDEN OF CHLOE campaign @ Indiegogo\" href=\"https:\/\/www.indiegogo.com\/projects\/the-garden-of-chloe-an-independent-feature-length-film-by-johnny-robinson\" target=\"_blank\"><span style=\"color: #800000;\">earned $1,760 from 27 funders, falling short of an expected goal of $4,000 by <strong>April 11<\/strong><\/span><\/a> that would have \u201cdirectly [made] it possible to complete filming, editing, and production, and provide the opportunity to present the very best version of this story.\u201d <a title=\"CHLOE seeks crowd for concert :: C-U Blogfidential\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=7233\" target=\"_blank\"><span style=\"color: #800000;\">Robinson and his team certainly have confidence in CHLOE<\/span><\/a>, considering that both pre-production and the beginning of production had already transpired before the campaign launched, but moving forward they might have difficult choices to make due to the shortfall. <a title=\"THE GARDEN OF CHLOE :: Official Site\" href=\"http:\/\/gardenofchloe.weebly.com\/\" target=\"_blank\"><span style=\"color: #800000;\">There is no time like the present, however, to visit their Web site<\/span><\/a> for updates and inquire about aiding the production posthaste.<\/p>\n<p style=\"text-align: left;\">We offer this last example not to embarrass but as a prompt to ask aloud if there <em>is<\/em> a saturation point in asking one\u2019s family, peers, and community to invest financially or otherwise in one\u2019s art, especially where crossover exists between producers and their spheres of influence. (Kill Vampire can partly circumvent this, for instance, due to the extended fan base they\u2019ve built on-line and at pop culture conventions outside the C-U.) It is a key issue that has been batted around the <strong>Secret MICRO-FILM Headquarters<\/strong> as of late, not just in terms of how our neighbors might play a constructive role in the overall success of our homegrown filmmakers but whether or not they even have interest in helping strengthen our equally homegrown media \u2026 such as the <strong>C-U Confidential<\/strong> family. Look for a separate post about <em>that<\/em> in a few days.<\/p>\n<p style=\"text-align: left;\">Until then, <strong>SUPPORT YOUR LOCAL FILMMAKERS<\/strong>, all you peoples of Champaign-Urbana, Illinois!<\/p>\n<p style=\"text-align: left;\">~ Jason Pankoke<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sometimes it is imperative to discuss the nitty gritty concerning Champaign-Urbana movies, including production costs. Today, we take a brief look at the crowdsource campaigns for LOWLIFES, ONCE UPON A TIME IN THE 1970s, and THE GARDEN OF CHLOE.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[374,10],"tags":[101,1242,1248,222,1247,764,1193,1122,1107],"class_list":["post-7411","post","type-post","status-publish","format-standard","hentry","category-business-matters","category-production-updates","tag-dreamscape-cinema","tag-food","tag-indiegogo","tag-johnny-robinson","tag-kickstarter","tag-kill-vampire-lincoln-productions","tag-lowlifes","tag-once-upon-a-time-in-the-1970s","tag-the-garden-of-chloe"],"_links":{"self":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts\/7411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7411"}],"version-history":[{"count":0,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts\/7411\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}