{"id":8908,"date":"2015-04-01T12:00:06","date_gmt":"2015-04-01T18:00:06","guid":{"rendered":"http:\/\/www.micro-film-magazine.com\/cublog\/?p=8908"},"modified":"2015-03-28T17:00:01","modified_gmt":"2015-03-28T23:00:01","slug":"article-du-c-u-ebertfest-14-pt-6","status":"publish","type":"post","link":"https:\/\/www.micro-film-magazine.com\/cublog\/?p=8908","title":{"rendered":"Article du C-U: Ebertfest \u201914, pt.6"},"content":{"rendered":"

\u201cSecond Intermission: A SIMPLE LIFE, CAPOTE, and all else in between\u201d<\/strong>
\nAfter sending a battery of Confidential agents into the Ebertfest fold last April, we present their findings<\/p>\n

by Jason Pankoke<\/em><\/p>\n

~~~~~<\/p>\n

By the time this entry in our coverage of the 2014 Roger Ebert\u2019s Film Festival<\/strong><\/span><\/a> appears, we most likely will have eclipsed it with the schedule announcement for \u201cEbertfest<\/strong>\u201d 2015. So much for making the run \u201crelevant, complete, and worthy of being dubbed an \u2018Ebertfest epic\u2019\u201d in a timely manner, then, but we\u2019re forging ahead anyway to plug the gaping plot holes in our series and account for the remainder of the films, albeit briefly. (Additional feature-length essays failed to materialize, much to our collective chagrin.) Using the prompt towards the end of this post, you can backtrack to read our recent Patton Oswalt<\/strong>\/YOUNG ADULT<\/strong> observances<\/span><\/a> courtesy of Samantha Ducey<\/strong> along with prior installments regarding WADJDA, MUSEUM HOURS, SHORT TERM 12<\/strong>, and LIFE ITSELF<\/strong>, to which we will soon add your humble editor\u2019s thoughts on viewing GOODBYE SOLO<\/strong> at the Virginia Theatre<\/strong><\/span><\/a>. With all that on the table, dearest readers, we hope you will follow along until we hit our conclusion, in and of itself an achievement compared to our inadvertent cliffhanger last time out<\/span><\/a>. Cheers!<\/p>\n

~~~~~<\/p>\n

According to an essay in the Ebertfest 2014 program by journalist and silent film aficionado Thomas Gladysz<\/strong><\/span><\/a>, HE WHO GETS SLAPPED<\/strong> is a \u201csingular and even profound work,\u201d establishing a high water mark for both the legendary actor Lon Chaney, Sr.<\/strong>, and the Swedish filmmaker Victor Sj\u00f6str\u00f6m<\/strong>. In the production, Chaney plays a scientist who responds to heartbreak and career thievery by joining the circus as a clown. A hit when released during the holiday season of 1924<\/span><\/a>, SLAPPED<\/strong> was not only the first in-house production from the newly-merged Metro-Goldwyn-Mayer<\/strong> studio but also featured the debut of the now-famous Leo the Lion<\/strong> as their emblem.<\/p>\n

HE WHO GETS SLAPPED played the sixteenth annual Roger Ebert\u2019s Film Festival on Friday, April 25, 2014, 1 p.m. The Alloy Orchestra accompanied the film with their music score.<\/em><\/p>\n

HE WHO GETS SLAPPED<\/strong> is a production of and distributed theatrically (U.S.) by Metro-Goldwyn-Mayer and on home video (U.S.) by Warner Archive Collection\/Warner Home Video<\/strong><\/span><\/a>. It was written, produced, and directed by Victor Sj\u00f6str\u00f6m, and stars Lon Chaney, Sr., Norma Shearer, John Gilbert<\/strong>, and Tully Marshall<\/strong>. 1924, 35mm, B&W, 80 minutes<\/p>\n

~~~~~<\/p>\n

\"\"<\/p>\n

In his 2005 review of CAPOTE<\/strong>, reprinted in the program, Roger Ebert<\/strong> stated that \u201cwhat makes [the film] so powerful is that it looks with merciless perception at [Truman<\/strong>] Capote<\/strong>\u2019s moral disintegration.\u201d This feature directed by Academy Award<\/strong> nominee Bennett Miller<\/strong> (FOXCATCHER<\/strong>) dramatizes a six-year period in the life of literary giant Capote (Philip Seymour Hoffman<\/strong>) when he befriended \u2013 and arguably betrayed \u2013 the two Kansas<\/strong> murderers whose story he would retell in the book, In Cold Blood<\/strong><\/span>. \u201cThe film,\u201d posed Ebert, \u201cfocuses on the way a writer works on a story and the story works on him.\u201d The late Hoffman won an Oscar for his performance.<\/p>\n

CAPOTE played the sixteenth annual Roger Ebert\u2019s Film Festival on Friday, April 25, 2014, 4 p.m. Director Bennett Miller appeared as a festival guest.<\/em><\/p>\n

CAPOTE<\/strong> is a co-production of A-Line Pictures, Cooper\u2019s Town Productions<\/strong>, and Infinity Media<\/strong> distributed theatrically (U.S.) by United Artists<\/strong><\/span><\/a> and Sony Pictures Classics<\/strong><\/span><\/a>, on home video (U.S.) by Sony Pictures Home Entertainment<\/strong>, and on VOD by MGM. It was directed by Bennett Miller, written by Dan Futterman<\/strong>, and produced by Carolyn Baron, William Vince<\/strong>, and Michael Ohoven<\/strong>, and stars Philip Seymour Hoffman, Catherine Keener, Clifton Collins, Jr., Chris Cooper, Bruce Greenwood, Bob Balaban<\/strong>, and Amy Ryan<\/strong>. 2005, 35mm, Color, 114 minutes<\/p>\n

<\/p>\n

~~~~~<\/p>\n

A heat-stroked summer day, beating down on the predominantly African-American neighborhood where Sal (Danny Aiello<\/strong>) runs his pizzeria, does its part to turn Brooklyn<\/strong> denizens upon one another in the vibrant, cutting, and sadly relevant Spike Lee<\/strong> classic DO THE RIGHT THING<\/strong>. Revisiting the film a decade after first seeing it in Cannes<\/strong>, France<\/strong>, in 1989, Ebert talked about Lee\u2019s surprising artistry as well as the layers of knowing critique on which the scenario was built. \u201cYou can anticipate,\u201d wrote the late critic as shared in the program, \u201cthat trash can approaching Sal\u2019s window [in the hands of Lee\u2019s character, pizzeria employee Mookie] propelled by misunderstandings, suspicions, insecurities, stereotyping, and simple bad luck\u201d due to societal racism.<\/p>\n

DO THE RIGHT THING played the sixteenth annual Roger Ebert\u2019s Film Festival on Friday, April 25, 2014, 8:30 p.m. Director\/writer\/producer Spike Lee appeared as a festival guest.<\/em><\/p>\n

DO THE RIGHT THING<\/strong> is a 40 Acres and a Mule Filmworks<\/strong> production distributed theatrically (U.S.) by Universal Pictures<\/strong> and on VOD and home video (U.S.) by Universal Studios Home Entertainment<\/strong><\/span><\/a>. It was written, produced, and directed by Spike Lee, and stars Danny Aiello, Ossie Davis, Ruby Dee, Richard Edson, Giancarlo Esposito, Bill Nunn, John Turturro, John Savage<\/strong>, and Lee. 1989, 35mm, Color, 120 minutes<\/p>\n

~~~~~<\/p>\n

\"\"<\/p>\n

Ebert called the understated drama A SIMPLE LIFE<\/strong><\/span><\/a> \u201cone of the year\u2019s best films\u201d in a 2012 review repurposed for the program. Directed by the prolific Hong Kong<\/strong> filmmaker Ann Hui<\/strong>, this tale about an indefatigable relationship between a middle-aged movie producer, Roger (Andy Lau<\/strong>), and his family\u2019s caretaker, Ah Tao (Deanie Ip<\/strong>), \u201cfilled me with an unreasonable affection for both of them,\u201d he explained further, \u201c[for] here is a film with the clarity of fresh stream water, flowing without turmoil to shared destiny.\u201d LIFE<\/strong> gently depicts what happens when Ah Tao is forced to retire after suffering a stroke and elects to move into a nursing home.<\/p>\n

A SIMPLE LIFE played the sixteenth annual Roger Ebert\u2019s Film Festival on Saturday, April 26, 2014, 2 p.m. Director\/writer Ann Hui appeared as a festival guest.<\/em><\/p>\n

A SIMPLE LIFE<\/strong> is a co-production of Bona Entertainment Company, Ltd., Focus Films, Ltd.<\/strong>, and Sil-Metropole Organisation, Ltd.<\/strong>, distributed theatrically (U.S.\/Canada) by China Lion Film Distribution<\/strong> and on VOD and home video (U.S.) by Well Go USA Entertainment<\/strong><\/span><\/a>. It was directed by Ann Hui, produced by Roger Lee, Pui-wah Chan<\/strong>, and Hui, and written by Susan Chan<\/strong> and Lee, and stars Andy Lau and Deanie Ip. 2012, HD, Color, 118 minutes<\/p>\n

~~~~~<\/p>\n

BORN ON THE FOURTH OF JULY<\/strong> appeared during filmmaker Oliver Stone<\/strong>\u2019s remarkable run of political and counterculture dramas in the Eighties and Nineties, daring to cast heartthrob Tom Cruise<\/strong> in an affecting biography of real-life Vietnam<\/strong> veteran Ron Kovic<\/strong>. As an idealistic young man, Kovic served overseas in the Marine Corps only to become a lifelong anti-war activist after returning home crippled and demoralized. \u201cIt proceeds from a philosophical core,\u201d stated Ebert in his original review from 1989 that appears in the program. \u201cIt is not a movie about battle or wounds or recovery, but a movie about an American who changes his mind about the war.\u201d<\/p>\n

BORN ON THE FOURTH OF JULY played the sixteenth annual Roger Ebert\u2019s Film Festival on Saturday, April 26, 2014, 9 p.m. Director\/producer\/writer Oliver Stone appeared as a festival guest.<\/em><\/p>\n

BORN ON THE FOURTH OF JULY<\/strong> is an Ixtlan<\/strong> production distributed theatrically (U.S.) by Universal Pictures and on VOD and home video (U.S.) by Universal Studios Home Entertainment<\/span><\/a>. It was directed by Oliver Stone, written by Ron Kovic and Stone, and produced by A. Kitman Ho<\/strong> and Stone, and stars Tom Cruise, Kyra Sedgwick, Raymond J. Barry, Jerry Lavine, Frank Whaley<\/strong>, and Willem Dafoe<\/strong>. 1989, 35mm, Color, 145 minutes<\/p>\n

~~~~~<\/p>\n

\"\"<\/p>\n

New Orleans<\/strong> educator Lily Keber<\/strong><\/span><\/a> chronicled an unsung local legend, the rhythm-and-blues pianist and singer James C. Booker III<\/strong>, in her documentary portrait BAYOU MAHARAJAH<\/strong><\/span><\/a>. A child prodigy, Booker left his mark through vibrant stage performances and a handful of recordings; one can only ponder what greatness he might have achieved if drugs and alcohol had not contributed to his death at age 43. \u201cMAHARAJAH<\/strong> could easily have focused on the most sordid aspects of Booker\u2019s life,\u201d explained Los Angeles<\/strong> culture blogger Chris Morris<\/strong> in his write-up, \u201c[but] the movie is emphatically about Booker\u2019s music, and you get to hear plenty of it.\u201d<\/p>\n

BAYOU MAHARAJAH played the sixteenth annual Roger Ebert\u2019s Film Festival on Sunday, April 27, 2014, 12 p.m. Director\/producer Lily Keber, producer Nathaniel Kohn, editor Tim Watson, and musician Henry Butler appeared as festival guests.<\/em><\/p>\n

BAYOU MAHARAJAH<\/strong> is a Mairzy Doats Productions<\/strong> film. It was directed by Lily Keber and produced by Nathaniel Kohn<\/strong> and Keber, and features James Carroll Booker III, Allen Toussaint, Dr. John, Harry Connick, Jr., Irma Thomas, Charles Neville, Dave Bartholomew, Hugh Laurie<\/strong>, and Ron Cucia<\/strong>. 2013, HD, Color\/B&W, 90 minutes<\/p>\n

~~~~~<\/p>\n


\n<\/em><\/p>\n

:: Part 5<\/span><\/a> :: Part 7 ::<\/p>\n


\n<\/em><\/p>\n

Cover graphic: \u00a9 Roger Ebert\u2019s Film Festival\/Daily Illini<\/strong><\/span><\/p>\n

CAPOTE<\/strong> graphic:
\n\u00a9 2005 United Artists\/Sony Pictures Classics<\/p>\n

A SIMPLE LIFE<\/strong> graphic:
\n\u00a9 2012 China Lion Film Distribution<\/p>\n

BAYOU MAHARAJAH<\/strong> graphic:
\n\u00a9 2013 Mairzy Doats Productions<\/p>\n


\n<\/em><\/p>\n

\"\"<\/p>\n


\n<\/em><\/p>\n

Back to the fore, MacDuff\u2026<\/strong><\/em><\/span><\/a><\/span><\/p>\n

Visit the Article Index<\/strong><\/em><\/span><\/a><\/span><\/p>\n

Return to Home Page<\/strong><\/em><\/span><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

New (and veteran) informants bring their perspectives to the table in highlighting \u201cEbertfest\u201d 2014. In the sixth filing, your humble editor makes note of a sextet worth your consideration.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,137,13,30],"tags":[1460,1461,1458,1232,1459,1457,1462,1227,1463,1703,72,1226],"class_list":["post-8908","post","type-post","status-publish","format-standard","hentry","category-area-festivals","category-article-du-c-u","category-public-events","category-roger-ebert","tag-a-simple-life","tag-bayou-maharajah","tag-born-on-the-fourth-of-july","tag-capote","tag-do-the-right-thing","tag-he-who-gets-slapped","tag-lon-chaney-sr","tag-oliver-stone","tag-philip-seymour-hoffman","tag-roger-ebert","tag-roger-eberts-film-festival","tag-spike-lee"],"_links":{"self":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts\/8908","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8908"}],"version-history":[{"count":0,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts\/8908\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8908"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8908"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}