{"id":9102,"date":"2015-06-17T12:00:27","date_gmt":"2015-06-17T18:00:27","guid":{"rendered":"http:\/\/www.micro-film-magazine.com\/cublog\/?p=9102"},"modified":"2015-06-17T01:31:58","modified_gmt":"2015-06-17T07:31:58","slug":"veritable-vault-of-video-to-vanish","status":"publish","type":"post","link":"https:\/\/www.micro-film-magazine.com\/cublog\/?p=9102","title":{"rendered":"Veritable vault of video to vanish"},"content":{"rendered":"<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\" aligncenter\" title=\"Front counter and entrance of That's Rentertainment in 2007, nearly the same as it looks today. (Photo: JaPan)\" src=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog Art\/cu_renter30_counter.jpg\" alt=\"\" width=\"450\" height=\"337\" \/><\/p>\n<p style=\"text-align: left;\">It seems like <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Will VSD save the video star? :: C-U Blogfidential\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=8489\" target=\"_blank\">only a few yesterdays ago when we happily noted<\/a><\/span> on <strong>C-U Blogfidential<\/strong> the perseverance of <strong>Geoff Merritt<\/strong> in running his video rental oasis, <strong>That\u2019s Rentertainment<\/strong>. We began to <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"SMO knows the Left Coast outr\u00e9 :: C-U Blogfidential\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=8878\" target=\"_blank\">build editorial around obscure releases tucked away<\/a><\/span> in their massive collection as well as former <strong>Champaign-Urbana<\/strong> residents doing <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"IOW: Thrill to the Skull &amp; \u2018Throne\u2019 :: C-U Blogfidential\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=8699\" target=\"_blank\">interesting movie projects inspired in part by their patronage<\/a><\/span> of the store. Other news avenues like the <span style=\"text-decoration: underline;\"><strong>Daily Illini<\/strong><\/span> had been <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Local video store persists, despite 21st century trends :: The Daily Illini\" href=\"http:\/\/www.dailyillini.com\/article\/2015\/02\/local-video-store-persists-despite-21st-century-trends\" target=\"_blank\">regularly checking in with the folks behind the counter<\/a><\/span> at <strong>516 E. John St., Champaign<\/strong>, to get a sense of how Rentertainment stemmed the tide financially, offering a commodity roundly doomed in the national press for the past decade if not longer. Did Merritt, also proprietor of the <a title=\"Parasol Label Group :: Home Page\" href=\"http:\/\/www.parasol.com\/\" target=\"_blank\"><span style=\"color: #800000;\"><strong>Parasol<\/strong> music labels<\/span><\/a> in Urbana, simply get lucky in this location? Do the culture consumers du C-U provide just enough support to help keep his doors open?<\/p>\n<p style=\"text-align: left;\">The answer must have been \u201cyes\u201d on both counts until recently for on <strong>June 1<\/strong>, the 30th anniversary of the store\u2019s opening, Merritt announced Rentertainment would soon vacate the northwest corner of John and Sixth streets. As of this <strong>Monday, June 15<\/strong>, much of the store\u2019s inventory is on sale to customers wishing to give their favorite cinematic moments a new home, although those who do not want to accumulate physical media can rent whatever remains on their shelves for the next few weeks. <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Closing Sale - Frequently Asked Questions :: That's Rentertainment\" href=\"http:\/\/www.rentertainment.com\/closing_faq.htm\" target=\"_blank\">This FAQ tab<\/a><\/span> on the <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"That's Rentertainment :: Home Page\" href=\"http:\/\/www.rentertainment.com\/\" target=\"_blank\">Rentertainment Web site<\/a><\/span> as well as <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"New Arrivals :: That's Rentertainment\" href=\"http:\/\/www.rentertainment.com\/newstuff.htm\" target=\"_blank\">the weekly e-mail blasts<\/a><\/span> will keep customers appraised on how the sale progresses, including gradual price reductions as with their Japanese animation sale from the winter. We hope Rentertainment friends will pay their respects in person, at the least to honor their longevity and thank them for contributing to our community.<\/p>\n<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\" aligncenter\" title=\"View of That's Rentertainment upon entering store. (Photo: JaPan)\" src=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog Art\/cu_renter30_walkin.jpg\" alt=\"\" width=\"450\" height=\"324\" \/><\/p>\n<p style=\"text-align: left;\">Local coverage of the closing, including <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"That's Rentertainment to close this summer :: The Daily Illini\" href=\"http:\/\/www.dailyillini.com\/article\/2015\/06\/thats-rentertainment-to-close-this-summer\" target=\"_blank\">this <span style=\"text-decoration: underline;\">DI<\/span> follow-up piece<\/a><\/span> from last week, imply several groups (of whom?) are working with Merritt to keep certain materials in the C-U and available to all residents. This is a fine idea, especially once one accepts the inevitability that more than 40,000 programs on Blu-ray, DVD, and VHS will be split up, rendering the collection\u2019s worth in breadth a moot point. One such effort, spearheaded by <strong>University of Illinois<\/strong> documentation specialist <strong>Dena Strong<\/strong>, aims to place important and hard-to-find cinema in the UI holdings as identified by staff from the <strong>Cinema Studies<\/strong> and <strong>Library<\/strong> departments. So far, more than $4,000 of Strong\u2019s proposed $5,000 expenditure has been raised through a <strong>GoFundMe<\/strong> campaign; her intent is to purchase titles at various pricing levels throughout the sale to maximize the funds. <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Save Rentertainment's Rare Titles :: GoFundMe\" href=\"https:\/\/www.gofundme.com\/w7hr9e6\/\" target=\"_blank\">Feel free to contribute right here<\/a><\/span>!<\/p>\n<p style=\"text-align: left;\">It will be very easy to wax nostalgic about Rentertainment regarding the film history it harbored \u2013 a decent percentage of that content <em>can<\/em> be accessed in some way on-line, however decentralized \u2013 but what might be irreplaceable is its value as a gathering place that fostered personal exchanges and a tactile selection process. The UI \u201c<strong>Campustown<\/strong>,\u201d radically altered by recent construction and an influx of suburbanite brand name stores, will most likely enter a new era in August with <em>not a single retail fa\u00e7ade occupied by a merchant trading primarily in cultural experience or products<\/em>. The arguable exception of tattoo parlors aside, an artist\u2019s hard labors \u2013 cinema, literature, poetry, theater, painting, <em>et cetera<\/em> \u2013 will have no commercial or substantial presence on Green Street or its cross roads, existing solely in the backpacks, purses, or back pockets of individuals. As they say, out of sight\u2026<\/p>\n<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\" aligncenter\" title=\"Even with limited floor space, That's Rentertainment covered a whole lot of ground in which one could easily get lost. (Photo: JaPan)\" src=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog Art\/cu_renter30_splitshelf.jpg\" alt=\"\" width=\"450\" height=\"300\" \/><\/p>\n<p style=\"text-align: left;\">\u2026or, held right in front of one\u2019s nose, which your humble editor witnessed while sitting along <strong>Wright Street<\/strong> on Saturday. Not five minutes after pausing to reflect on what he might rent from That\u2019s Rentertainment for his final hurrah, a college student walked by as if on cue, watching an itsy bitsy video on her smart phone. That\u2019s bad luck to a cinephile like a black cat is to the average person, yes? To temper our melodramatic fears \u2013 we will <em>always<\/em> be concerned about the future of film presentation, dearest readers \u2013 we share below the jump Merritt\u2019s first public words on the closing and <strong>Mr. JaPan<\/strong>\u2019s vintage thoughts on the store\u2019s massive VHS sale from 10 years ago. The latter first appeared in issue 19 of <strong>Greg Woods<\/strong>\u2019 journal, <span style=\"text-decoration: underline; color: #800000;\"><strong><a style=\"color: #800000; text-decoration: underline;\" title=\"The Eclectic Screening Room :: Home Page\" href=\"http:\/\/www.screening-room.ca\/\" target=\"_blank\">The Eclectic Screening Room<\/a><\/strong><\/span>, in 2007; we revive and annotate it with the blessing of our fellow editor in <strong>Toronto<\/strong>, whose words will appear in <strong><span style=\"text-decoration: underline;\">C-U Confidential<\/span> #8<\/strong>.<\/p>\n<p style=\"text-align: left;\">~ Jason Pankoke<\/p>\n<p style=\"text-align: left;\"><!--more--><\/p>\n<p style=\"text-align: left;\"><em>p.s.<\/em> Well, <em>damn<\/em>, there goes our bid for a local film section to finally materialize at a local video store. After friendly encouragement from yours truly over the years, Merritt <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"New arrivals for the week of April 14, 2015 :: That's Rentertainment\" href=\"http:\/\/www.rentertainment.com\/updates\/2015\/150414.htm\" target=\"_blank\">admitted in his <strong>April 14, 2015<\/strong> e-newsletter<\/a><\/span>, \u201c\u2026The <strong>Champaign-Urbana Film Society<\/strong> (CUFS) brought in a copy of their latest \u2018<strong>Pens to Lens<\/strong>\u2019 collection (showcasing local talent). That, and another nudge from <strong>Jason Pankoke<\/strong>, might be what it takes for us to make a \u2018Local\u2019 section\u2026\u201d <em>So<\/em>. Which <strong>Champaign County<\/strong> library is going to step up to the plate on this?<\/p>\n<p style=\"text-align: left;\"><em>p.s.2<\/em> Conversely, we always liked that <strong>The Movie Fan<\/strong> of <strong>Normal<\/strong> had a local film section, even if dominated by student work. We wonder to this day what happened to their equally amazing inventory since <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Vid store, prod house put to rest :: C-U Blogfidential\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=6212\" target=\"_blank\">closing two years ago with little fanfare<\/a><\/span>; be grateful Merritt is giving us a crack at the Rentertainment collection.<\/p>\n<p style=\"text-align: left;\"><em>p.s.3<\/em> The only movie rental option that will remain in Champaign-Urbana outside of libraries is <strong>Family Video<\/strong> at their three locations: <strong>1101 N. Mattis Ave.<\/strong> in <strong>Champaign<\/strong>, <strong>805 N. Lincoln Ave.<\/strong> in <strong>Urbana<\/strong>, and <strong>1901 S. Philo Rd.<\/strong>, also in <strong>Urbana<\/strong>. Headquartered in upstate <strong>Glenview<\/strong>, this chain has managed to thrive as their rental and retail competitors recede or succumb, according to <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"If you saw Family Video\u2019s profits, you\u2019d open a video store too :: Chicago Sun-Times\" href=\"http:\/\/voices.suntimes.com\/business-2\/grid\/family-video-rental\/\" target=\"_blank\">a <span style=\"text-decoration: underline;\"><strong>Chicago Sun-Times<\/strong><\/span> article from last year<\/a><\/span>.<\/p>\n<p style=\"text-align: left;\"><em>p.s.4<\/em> The winning rental on Saturday, by the way, was Japan\u2019s <em>tokusatsu<\/em> adventure <strong>ATRAGON<\/strong> from 1963. No, it does <em>not<\/em> have any dinosaurs in it, just a grumpy serpent god named <strong>Manda<\/strong>. And, no, Ye Ed has not bought a sale item, yet.<\/p>\n<p style=\"text-align: left;\"><em>p.s.5<\/em> For those outside of the C-U who have never stepped foot inside That\u2019s Rentertainment and probably never will, we again post the recent <strong>Elsinore<\/strong> music video <strong>THE ART OF PULLING<\/strong> because it features a vignette set in the shop. It also drops one of the best Alfred Hitchcock cameos that Hitch himself was never involved with:<\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/5UBADMySYH8?showinfo=0\" width=\"450\" height=\"253\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\"><strong>\u201cJune 1, 2015\u201d<\/strong><\/p>\n<p style=\"text-align: left;\"><em>by Geoff Merritt<\/em><\/p>\n<p style=\"text-align: left;\">Thirty years ago, when I started this business, I would have bet money <strong>That\u2019s Rentertainment<\/strong> wouldn\u2019t still be here today. Fast forward three decades, and Rentertainment and I are celebrating our 30th anniversary! It\u2019s been a great run \u2013 fabulous employees, amazing customers, tons of fun \u2013 thank you all.<\/p>\n<p style=\"text-align: left;\">But now, as someone once said, \u201cI\u2019m ready to roll the end credits, ready for the curtain call.\u201d It\u2019s time to do something else. As we firm up our plans to sell off <strong>Urbana-Champaign<\/strong>\u2019s very best collection of films, let me share with you some details of our transaction:<\/p>\n<p style=\"text-align: left;\">+ We\u2019ll <strong>keep getting new releases<\/strong> through the end of June;<\/p>\n<p style=\"text-align: left;\">+ We\u2019ll <strong>continue renting films<\/strong> through the end of July;<\/p>\n<p style=\"text-align: left;\">+ We\u2019ll <strong>start selling off our inventory<\/strong> on <strong>Monday, June 15<\/strong>;<\/p>\n<p style=\"text-align: left;\">+ Rather than price each film individually, <strong>we\u2019ll set a price (that will lower regularly) and sell everything at that price<\/strong>. A few box sets will be pulled and priced individually;<\/p>\n<p style=\"text-align: left;\">+ <strong>If you have a block, use what you can or want<\/strong> between now and the end of July. Starting August 1, we\u2019ll buy back any remaining block rentals.<\/p>\n<p style=\"text-align: left;\">More details to follow. Meanwhile, thanks again for a great three decades of That\u2019s Rentertainment!<\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"The store front of That's Rentertainment at Sixth and John streets in Champaign. Don't leave those videos behind! (Photo: JaPan)\" src=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog Art\/cu_renter30_bagonstreet.jpg\" alt=\"\" width=\"450\" height=\"330\" \/><\/p>\n<p style=\"text-align: left;\"><strong>\u201cAnalog to Analog, Dust to Dust?\u201d<\/strong><\/p>\n<p style=\"text-align: left;\"><em>by Jason Pankoke<\/em><\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\">For the first few years of the infamous Eighties \u201cformat wars,\u201d I lived in a strictly Beta household. Eventually, I undermined the monopoly in 1987 when I used birthday money to purchase a VHS player. Its brethren soon moved in and sent the old top-loading dinosaur packing. Ten years later, DVDs began eroding the market dominance of VHS. Twenty years later, as the \u201cstandard\u201d DVD is threatened by a high-definition variation of <em>VHS vs. Beta<\/em>, the original home video champ is finally being pushed to pasture by consumers, businesses, and film purists who have complained about its inferior reproduction quality the entire time.<\/p>\n<p style=\"text-align: left;\">Not only has the analog exodus most likely resulted in a lot of unnecessary waste buried within the more recent strata of our friendly neighborhood landfills, but one can only guess how many of the programs contained therein may never surface on DVD, HD-DVD, or whatever future modes of delivery come our way. [<em>Remember that early streaming Internet video, even at this point, could not be relied upon to play cleanly.<\/em> \u2013 ed.] It is with this underlying fear that many film fans in my town took seriously a massive VHS purge in the summer of 2005.<\/p>\n<p style=\"text-align: left;\">One locally owned video store remains in <strong>Champaign-Urbana, Illinois<\/strong>, outlasting more than a dozen other mom-and-pop shops due to its superlative selection and choice location in the heart of the <strong>University of Illinois<\/strong> \u201ccampus town.\u201d Therefore, when <strong>That\u2019s Rentertainment<\/strong> makes a move, the customers take notice. As they had done a few years back with their extensive laserdisc library, owner <strong>Geoff Merritt<\/strong> and staff identified enough re-release action by DVD labels to justify dumping most of their tapes.<\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog Art\/cu_renter30_logo_LG.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\" aligncenter\" title=\"That's Rentertainment (Logo source: www.rentertainment.com)\" src=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog Art\/cu_renter30_logo.jpg\" alt=\"\" width=\"450\" height=\"277\" \/><\/a><\/p>\n<p style=\"text-align: left;\">The sale commenced on <strong>July 22<\/strong>, attracting culture vultures far and wide with the prospect of accumulating titles that would fill out their collections. I obviously fathomed the significance even though I did not have the greatest desire to stock up on videos. Therefore, I decided at the outset to employ this particular booty as the backbone for a Weblog to be called <span style=\"text-decoration: underline;\"><strong>The Video Throne<\/strong><\/span>, which would use the films as a springboard for personal writing. Approximately $275 US, 145 tapes, two years, and no blog later, I have failed to launch this project.<\/p>\n<p style=\"text-align: left;\">Overall, I think the most valuable thing I gleaned from the countless hours spent inside TR was an astute appreciation for the global body of film. The most <em>exciting<\/em> aspect was certainly the thrill of the hunt, picking through <strong>Hollywood<\/strong> history and direct-to-video flotsam in order to rescue the obscure. These plusses certainly outweigh the minuses \u2013 craning my neck for long stretches in order to read the same box spines four, five, six times each, aggravating my sinuses as I breathed in the dust stirred up by the increased traffic, and generally messing with my head as I incessantly cross-checked titles via computer to confirm their availability.<\/p>\n<p style=\"text-align: left;\">For now, the tapes remain in my possession. Many films on those tapes have still not been released on Region 1 DVD (or commercially, for that matter), such as <strong>PULL MY DAISY<\/strong> (1959), <strong>GRENDEL GRENDEL GRENDEL<\/strong> (1981), <strong>IT CAME FROM HOLLYWOOD<\/strong> (1982), <strong>HOUSE OF THE LONG SHADOWS<\/strong> (1983), <strong>EXPERIENCED MOVERS<\/strong> (1985), <strong>MAX, MON AMOUR<\/strong> (1986), <strong>THE AMAZING MR. BICKFORD<\/strong> (1987), <strong>DOGS IN SPACE<\/strong> (1987), <strong>SALVATION!<\/strong> (1987), <strong>THE GIRL IN A SWING<\/strong> (1989), <strong>THE KILL-OFF<\/strong> (1989), <strong>LAST EXIT TO BROOKLYN<\/strong> (1989), <strong>A WISH FOR WINGS THAT WORK<\/strong> (1991), <strong>LOVE AND HUMAN REMAINS<\/strong> (1993), and <strong>TERMINAL USA<\/strong> (1993). Then again, choices like <strong>INAUGURATION OF THE PLEASURE DOME<\/strong> (1954), <strong>QUINTET<\/strong> (1979), <strong>BORN IN FLAMES<\/strong> (1983), and <strong>HEAVY METAL PARKING LOT<\/strong> (1986) have since crossed the digital divide. Whether or not I watch them all, my heart still tells me I did right by adopting these classics and curios.<\/p>\n<p style=\"text-align: left;\">The same might be said for That\u2019s Rentertainment, which maintains a token wall of VHS cassettes that were spared from the purge. (So, <em>that\u2019s<\/em> where <strong>SUPERSTAR: THE KAREN CARPENTER STORY<\/strong> went! Guess I\u2019ll have to be satisfied with <strong>SUPERSTAR: THE LIFE AND TIMES OF ANDY WARHOL<\/strong>\u2026) I notice a tell-tale gap in those shelves every now and then \u2013 a hopeful sign that, at least for one evening, someone other than myself considers the format still good enough for exploring cinema. I just hope they don\u2019t forget to rewind.<\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog Art\/cu_renter30_esr_LG.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\" aligncenter\" title=\"The Eclectic Screening Room #19 (ESR Media\/courtesy Greg Woods)\" src=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog Art\/cu_renter30_esr.jpg\" alt=\"\" width=\"450\" height=\"554\" \/><\/a><\/p>\n<p style=\"text-align: left;\">[<em>Since I wrote this eight years ago \u2013 and I <\/em>had<em> anticipated the obvious once I started adopting videos two years before that \u2013 a sizable percentage of the films have been re-released digitally. With so many avenues requiring a content flow in the present, their emergence was bound to happen and we can realistically imagine how much VHS in my possession is now redundant by looking at those titles I list above.<\/em><\/p>\n<p style=\"text-align: left;\"><em>Probably due to catalog rights changing hands, several films have belatedly hit Region 1 DVD including <strong>THE GIRL IN A SWING<\/strong> (Scorpion Releasing\/Kino Lorber, 2014, DVD), <strong>THE KILL-OFF<\/strong> (Films Around the World, 2014, DVD), <strong>DOGS IN SPACE<\/strong> (Hen\u2019s Tooth Video, 2012, 2-DVD), and <strong>LAST EXIT TO BROOKLYN<\/strong> (Summit Entertainment\/Lionsgate, 2011, DVD\/Blu). Both <strong>LOVE AND HUMAN REMAINS<\/strong> (Sony Pictures Classics, 2011) and <strong>HOUSE OF THE LONG SHADOWS<\/strong> (MGM, 2010) received the manufacture-on-demand (MOD) treatment, although <strong>Kino Lorber<\/strong> announced in March they would upgrade <strong>HOUSE<\/strong> to Blu later in 2015. Naturally, <strong>MAX, MON AMOUR<\/strong> (Lionsgate) and the <span style=\"text-decoration: underline;\"><strong>Bloom County<\/strong><\/span> cartoon <strong>A WISH FOR WINGS THAT WORK<\/strong> (Universal Studios Home Entertainment) both hit DVD in late 2007, mere months after the VHS shopping spree ended. The most novel release, so to speak, was afforded the rare Beat film <strong>PULL MY DAISY<\/strong> in 2012, <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Pull My Daisy by Robert Frank, Jack Kerouac, et al. :: Steidl\" href=\"https:\/\/steidl.de\/Books\/Pull-My-Daisy-1013343558.html\" target=\"_blank\">a DVD\/book \u201ccollectible object\u201d<\/a> <\/span>authorized by <strong>Robert Frank<\/strong> and offered by German boutique publisher <strong>Steidl<\/strong>.<\/em><\/p>\n<p style=\"text-align: left;\"><em><strong>THE AMAZING MR. BICKFORD<\/strong>, a documentary on clay animator and <strong>Frank Zappa<\/strong> prot\u00e9g\u00e9 <strong>Bruce Bickford<\/strong>, and <strong>SALVATION!<\/strong>, a televangelist satire directed by <strong>New York<\/strong> artist <strong>Beth B.<\/strong> and starring <strong>Viggo Mortensen<\/strong>, have not reached R1. <strong>Paramount Home Video<\/strong> planned a DVD release in 2002 for the B-movie clip comedy, <strong>IT CAME FROM HOLLYWOOD<\/strong>, but reportedly cancelled it at the 11th hour due to rights issues with said clips; ancient Internet message boards debate whether Paramount actually manufactured the discs and then destroyed them. <strong>GRENDEL GRENDEL GRENDEL<\/strong>, a low-budget animated film from <strong>Australia<\/strong>, finally appeared on PAL DVD in January of this year through that country\u2019s <strong>Umbrella Entertainment<\/strong>; since they originally restored <strong>DOGS IN SPACE<\/strong>, also an Australian production, maybe <strong>GRENDEL<\/strong> will soon be exported to the <strong>United States<\/strong> anew.<\/em><\/p>\n<p style=\"text-align: left;\"><em>Finally, the independents take care of themselves, damn it! <strong>San Francisco<\/strong> filmmaker<strong> Jon Moritsugu<\/strong> and <strong>Apathy Productions<\/strong> offered up <span style=\"color: #800000;\"><a style=\"color: #800000;\" title=\"Store :: JonMoritsugu.com\" href=\"http:\/\/jonmoritsugu.com\/products\/\" target=\"_blank\">their own DVD of <strong>TERMINAL USA<\/strong><\/a><\/span> in 2009, while NY maverick <strong>Larry Fessenden<\/strong> and <strong>Glass Eye Pix<\/strong> still sell<span style=\"color: #800000;\"> <a style=\"color: #800000;\" title=\"EXPERIENCED MOVERS :: Glass Eye Pix\" href=\"http:\/\/www.glasseyepix.com\/html\/xmov.html\" target=\"_blank\">the garish VHS of his early opus <strong>EXPERIENCED MOVERS<\/strong><\/a><\/span>.<\/em> \u2013 ed.]<\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog Art\/cu_renter30_wallofVHS_LG.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\" aligncenter\" title=\"The token wall of VHS tapes kept at That's Rentertainment post-sale. (Photo: JaPan)\" src=\"http:\/\/www.micro-film-magazine.com\/Images\/CUBlog Art\/cu_renter30_wallofVHS.jpg\" alt=\"\" width=\"450\" height=\"636\" \/><\/a><\/p>\n<p style=\"text-align: center;\">~~~~~<\/p>\n<p style=\"text-align: center;\">\u201cJune 1, 2015\u201d originally issued via e-mail by<br \/>\nThat\u2019s Rentertainment on the same date. \u00a9 Geoff Merritt.<\/p>\n<p style=\"text-align: center;\">\u201cAnalog to Analog, Dust to Dust?\u201d originally appeared in<br \/>\n<strong><span style=\"text-decoration: underline;\">The Eclectic Screening Room<\/span> #19, September 2007, p.24-27<\/strong>.<br \/>\nArticle and photos \u00a9 2007 Jason Pankoke.<br \/>\n<span style=\"text-decoration: underline;\">ESR<\/span> cover art courtesy Greg Woods.<\/p>\n<p style=\"text-align: center;\">CUBlog edits \u00a9 2015 Jason Pankoke<\/p>\n<p style=\"text-align: center;\" align=\"center\"><em><br \/>\n<\/em><br \/>\n<span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?p=9102\"><em><strong>Back to the fore, MacDuff\u2026<\/strong><\/em><\/a><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/?cat=137\"><em><strong>Visit the Article Index<\/strong><\/em><\/a><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"https:\/\/www.micro-film-magazine.com\/cublog\/\"><em><strong>Return to Home Page<\/strong><\/em><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We had a good thing going, you and we, but the forces of media upheaval, consumer complacency, and altogether reasonable life changes have pried us apart as feared. Don&#8217;t you cry, TR. We&#8217;ll always have Chambana.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[137,374,228,15,119,31,1371],"tags":[1519,1359,1516,1521,1520,839,1518,1710,1515,1517],"class_list":["post-9102","post","type-post","status-publish","format-standard","hentry","category-article-du-c-u","category-business-matters","category-home-videos-du-c-u","category-media-coverage","category-sad-places","category-the-old-school","category-vhs-is-best","tag-format-wars","tag-geoff-merritt","tag-home-video","tag-it-came-from-hollywood","tag-pull-my-daisy","tag-thats-rentertainment","tag-the-eclectic-screening-room","tag-the-video-throne","tag-ui-campustown","tag-vhs"],"_links":{"self":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts\/9102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9102"}],"version-history":[{"count":0,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=\/wp\/v2\/posts\/9102\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9102"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9102"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.micro-film-magazine.com\/cublog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}